The Design Files - Ristorante Local, Venice
Yes, it's true that Venice has many tourist trap restaurants. Tourist traps don't care about the quality of their food (and love to over charge people) as it's a volume business, especially from the mega cruise ships. They will never see those tourists again and locals would never eat there.Do not let the bad press discourage you. There are fantastic places to eat in Venice! The restaurant Local is one of them. I'm not going to write about the food though (which was delicious) but about the interior design and overall vibe.The restaurant was opened in 2016 by brother and sister, Benedetta and Luca Fullin. The space used to be an electrical shop. It's located in the Castello neighborhood between Piazza San Marco and The Arsenale.The design like, the cuisine, is inspired by local traditional Venice but with a touch of modern international flavors.I spoke with Benedetta during our trip last month and she told they used local artisans to make, by hand, everything from the floors, to the dishes, to the lighting, etc.I absolutely love the Venetian Terrazzo floors.
They were poured by hand and hold over five thousand murrine, which were handmade in Murano. The oak table, chairs, and wine cellar were made by Pasquini Marino.The open planned kitchen is inviting. It's not a cheap restaurant (our meals were included so checked prices online) but it's not stuffy either.
The restaurant sits on a side canal, light pours in.
Local frequently showcases art, with a focus on emerging talent, from the Contini Art Gallery.It's not easy to find the right balance in a historic, popular tourist destination like Venice. Do you completely erase the past in order to stay current, or go in the opposite extreme? Local feels very much of its time and its location. I'm not a fan of eating in a restaurant that looks and feels generic. We eat with our eyes as well and the interior design and ambience of a restaurant shouldn't be overlooked. Living in Los Angeles, sometimes we had the reverse situation, gorgeous spaces that were very "in" but the food was indifferent to inedible.Twelve years had passed between my two trips to Venice. That's ridiculous. I'd like to return sooner rather than later. I look forward to returning to Local, grabbing a seat at the bar, and trying their cicchetti.
First photo and the last two photos: Me and my iPhone. Other photos: Ristorante Local
La Biennale Venice - 2018
My friend Erica invited me to join her on a press trip for the preview of the 16th Architecture Biennale. I haven't been to any of the Biennale. I follow the art, cinema, and architecture ones on social media but it's not the same.
My first (and last) trip to Venice was twelve years ago, late November. Even during off-season, the crowds in the Piazza San Marco area were quite large. The experience did not prepare for last week. More on that later.We were in Venice for only two days/one night. I would love to return to see the Pavilions I missed. Erica has a great write-up on her Instastories.Normally, we'd take a train from Rome but we had to get there in time for the press conference so we placed on a 7:00 am flight. A private boat picked us up. Not a bad way to enter the city. We had a few minutes before the press conference and met the other journalists/architects and their guests. It was a small group, only twelve of us, half were from Milan. Our hosts were wonderful and, my fellow Americans will feel me on this, I couldn't get over how organized everything was. One of the hosts flew from Milan to Rome to meet us on the flight to make sure things were on point.The theme this year is Freespace. The curators are architects Yvonne Farrel and Shelley McNamara of Grafton Architects.
After the press conference we walked over to Local, which was fantastic. It's owned by siblings Benedetta and Luca Fillun and used to be an electrical shop. I spoke more Italian in a day than I have in probably two months.We returned to the Arsenale for a guided tour of the Corderie. From there we were able to see a few pavilions before going to the hotel to check in. My favorite pavilions were the Kosovo, Canada, Italy, Bahrain, Italy, and Croatia Pavilions. I wish I had more time to spend in each one.
Erica and I decided to walk toward Piazza San Marco instead taking the boat. I was NOT READY. Remember, I've never been to Venice during high season. The crowds were on another level. I keep reading about the crowd situation but it's another thing to experience it. 28 million tourists visit Venice a year. Only 55,000 people live in Venice full-time, down from 175,000 post WWII, with around 2000 leaving every single year. AirBnB has pushed the rents sky high, and mass tourism from mega cruise ships turn streets into packed corridors during the day and desolate at night. I don't know what the answer is but this type of tourism is not sustainable.We stayed at the Bauer Palazzo and I was happily surprised to see that we had a terrace. The service was impeccable. It could be because we were with a group of journalists and architects.
As we unpacked and got ready for aperitivi I noticed a chic terrace, a floor higher, on the building next door. I asked the bartender if it was a hotel bar. He said no they were preparing for a private party. I had no idea it was the party we were going to attended. It was a little overwhelming. There was were heavy hitters from the design/architect world and folks were not playing sartorially. The Hugos, and views, were divine.
Post- reception, we had dinner on the patio of the hotel with canal view. During dinner I hear suddenly heard loud gasps. I looked to my left and saw a mega cruise ship rolling into the canal. It dwarfed the buildings. I have no words. Perhaps I'm hyper sensitive to these ships as I've seen what they've done to the quality of life for residents of the island of St. Martin/St. Maarten. I strongly believe the cons outweigh the pros.I woke up at the crack of dawn to jog and it was glorious. The city was quiet, with Venetians going to open their shops and getting ready for the new day. There were a few other tourists out jogging and some taking photos. I got lost in the side streets running toward the Rialto bridge. I didn't mind. It's surreal to be in a city where there are no cars, buses, etc. everything is brought in, and leaves, by boat. I understand why this special city has inspired writers, artists, and artisans for generations. It's a damn shame that it's being destroyed.
Erica and I had a delicious breakfast on the Bauer's rooftop terrace. We were picked up (on time!) and took a our boat to the Giardini (the gardens) to see more pavilions.
We had a guided tour of the Main Pavilion. I highly recommend checking it out. There was a very interesting scale of the NYC Project, one for a Los Angeles project, and several short films. Then we were on our own to see the rest. I have to say, I was fading fast. There was so much to take in. I missed many pavilions that I wanted to see, like Switzerland, and Antique & Barbuda. There wasn't enough time. Of the ones I made it to, America, Nordic (Finland, Norway, Sweden), Russia, France, were stand outs. I loved the roof top deck of Great Britain and France's wine set-up was very clever.
The Russian theme was about train travel and how the largest country in the world is impacted by it. There are areas that are inaccessible by train and the country spans a few timezones, There was a short film, SEVEN DAYS IN SEVEN MINUTES, regarding a man's 9,300km/5780 miles train journey to Siberia. The Pavilion was transformed into a train station with several multimedia exhibits.The Nordic Pavilion dwelt with climate change. Visually this was one of the most interesting pavilions. The large balloons inflated and deflated depending on changing environmental conditions.The American theme was Dimensions of Citizenship, which really resonated with me. There was a fascinating short film, IN PLAIN SIGHT, that used data from global space sensors showing us how humans have organized our planet. It touched on last year's hurricane season and the difference between Houston's recovering and Puerto Rico's. I was blown away by the places that had large population but no lights, and other spots with a large electrical grid but it was used only for tourists or farming.We ended our trip with an delicious outdoor lunch at Corte Sconta. Corte Sconta means, "hidden courtyard". Our meals were included in the trip so I cannot tell you how the prices were. I get the sense that Corte Sconta was the pricier of the two but it wasn't stuffy.It was hot and walking over ten miles in one day got the best of me. By the time I had to meet our group, I was completely exhausted not really physically but it was information overload. It was a lot to process.It's an incredible experience and it was unique to have these conversations in a city like Venice. I was inspired by the architects and designers I met, the Pavilions, and of course the city itself. Grazie mille, Erica.To see more photos and videos from our short trip, I've saved them in my Instastories.The 16th International Architecture Exhibition runs until November 25th, 2018.
