My Ciao Bella interview with JJ Martin, founder of La Double J
Buongiorno a tutti!
Erica Firpo's Ciao Bella has published my interview with JJ Martin. Yes, it's true I rave about her and her brand often but I know first hand how difficult it is to be an entrepreneur in Italy. What JJ has created is incredible.
It was truly a pleasure to sit down with this very talented and dynamic woman to discuss interior design, creativity, and living in Italy.
To The Max: Designing Milan’s La Double J Store
Brick and mortar maximalism
When I read LaDoubleJ (those fabulous maximalist dresses from JJ Martin, Patron Saint of Patterns) was going to open its first retail shop, I couldn’t wait to see its interiors, not just because I’m a decorator but also as a fan of JJ Martin’s colorful brand. As luck and business would have it, I had to travel to Milan to meet with a new client. And Erica, knowing that visiting the new La Double J store was a “must” on my list, asked me if I could write about the store. JJ was gracious to carve out some time in her busy schedule to sit down with Ciao Bella to discuss the design of her new store and her brand.
Arlene Gibbs: First question. What inspired you to open an actual store, brick and mortar, at this moment when all we hear is that retail is dead. It’s all about e-commerce. No one goes to stores anymore.
JJ Martin: Well, we started as a direct to consumer business and an online business so I totally agree with that. I don’t think it makes sense at all, these brands that were built on brick and mortar with three hundred shops around the world. It doesn’t feel relevant anymore, especially these cookie cutter shops that all look the same. When you scan these streets, you can’t even tell the difference. They all have white walls, really bright light, chrome or gold finishes.
AG: You could be on Rodeo Drive.
JJ: You could be anywhere. So, a huge network of stores was never my vision nor will it be. However, we stared in this little showroom in Milan that was our showroom, our atelier, our office, our workroom, everything, and we were also selling clothes at the very beginning from there. It literally did like five things. What we kept hearing from people all the time was, “don’t you have a place we could try on more clothes?”
To read the rest of the interview, click HERE.
Photos courtesy of La Double J.
Villa Necchi, A Must See/Do in Milan
Ciao from a rainy morning in Rome.
I know I said I was going to write on this here blog more often but work this year has been very hectic. Perhaps things will slow down during Spring '22! I'm not complaining as these are good problems to have, especially during these strange pandemic times.
I went to Milan last week, just overnight, for the Salone. The energy in Milan was incredible. I felt safe going to showrooms and events as there were Covid protocols in place. Milan and the surrounding area were hit hard last year and no one wants to return to a lockdown.
I'm writing this while still on a Design Week high. I went to Milan in July for work and I was finally able to visit this palazzo. It has been on my list for ages and seeing the movie IO SONO AMORE/I AM LOVE only added fuel to my desire. The full name is Villa Necchi Campiglio but most know it as Villa Necchi.
Villa Necchi was designed and built by architect Piero Portaluppi from 1932 -1935 for the owner of the Necchi company, Angelo Campiglio, his wife Gigina and his sister-in-law, Nedda. There were some modifications and additions added by Architect Tomaso Buzzi after WWII. His style was a bit more traditional and you can see the difference as you walk through the villa. The villa was occupied by the fascists during the war and the family called Architect Buzzi once they were able to finally return to their home.
It took my breath away and pictures do not do it justice. It's amazing to see how modern these rooms from the early 20th century look and feel! It takes serious talent to design spaces that are classic yet contemporary. Portaluppi and his clients were truly ahead of their time. The Necchis entertained often and the house's public areas layout reflect this. This house was THE place to be back in the day.
The family had no children and instead donated their home to the non-profit FAI, the Italian National Trust.
The home has a large private garden with a swimming pool and tennis courts. Remember this is in the center of a large city! The villa is also filled with art, mostly 18th century, including artists Canaletto, Marieschi, and Tiepolo.
Look at the ceiling in the library! That design is a Portaluppi signature and you see it employed discreetly through out the villa.
I won't say anything to spoil the film for those who haven't seen it yet but one of the most important scenes in the movie takes place in this location.
The bathrooms were to die for. Again, I couldn't believe there were built in the 1930s. The veranda was another favorite room. The furniture was original and I could see those pieces being sold today. Even the utility rooms were design heaven. The Necchi family had custom Richard Ginori dinner service. I love the design of the "C" logo.
Style/fashion lovers will get a kick out of the sisters' built-in closets. The custom pieces from Gucci, Ferragamo, and Hermès are gorgeous. Quality and design like that never goes out of style.
The guides were very helpful, bilingual and there were two or three on each floor. I cannot recommend visiting this gem enough. My pictures and videos from this fantastic tour are in my Instagram highlights.
Buon weekend!
All villa photos: Giorgio Majno, © FAI — Fondo Ambiente Italiano
Grazie, Thank You, Merci!
Greetings from a construction site.
I'm finally out of my fourteen day quarantine here in Anguilla. The contractor and his crew have returned to the job site. I spent the first week of quarantine at the boutique hotel Frangipani. I was supposed to be there only two nights but there was no way my sister-in-law and I could start our quarantine at The Cottage while the crew was finishing up the bathrooms.
I watched the premiere of RENO ITALIANO in my hotel room. To say it was a surreal experience would be an understatement. The first week after RENO aired was bananas, so many emails and messages. Speaking of bananas, that's the situation here as we finish this house. So this is just a quick note to say thank you to everyone who watched, helped spread the word, left comments, emailed, Tweeted, Instagrammed, etc. etc. I've read every single note and I'm very grateful for the wonderful feedback.
I've received a ton of questions asking me if HGTV will rerun the pilot, will it be On Demand, or on Discovery Plus, and if RENO ITALIANO will become a series. I don't have any information at the moment. If that changes in the future, I will post about it on social media.
Returning to my long punch list.
Buon weekend!
Introducing RENO ITALIANO, our HGTV pilot!
I can finally talk about it and I’m trying to be zen. As if it’s just another day at the office.
However, I have zero chill and I’m completely geeking out. The renovation TV show pilot I’ve been working on will air this Friday on HGTV. Yes, that channel. Seriously, what is my life right now?
Our show is called Reno Italiano and it’s on at 11:30 a.m. EST (USA) between Flip or Flop and Love It or List It. Check local time for listings.
The house is located in Arpino, a small hilltop town between Rome and Naples, and the views are gorgeous. It’s over two hundred years old and had been abandoned for sixty years. This was not an easy renovation and we were doing it in Italy on a very narrow street. However, we had a great team and you’ll get to meet them during the show.
My clients, Tracy and Matt, are American and couldn’t see their house (once the renovation started) until it was finished! Can you imagine? I’m grateful for the trust they placed in us and that we were able to make their Italian dream home a reality. I’m also grateful for our excellent project managers Kylie and Antonio, phenomenal contractor Bruno, and last but not least our on point geometra, Michele.
Regarding the non-renovation part of this process, I learned a lot. It’s one thing to be an assistant or a producer on set. Being in front of the camera? Weird. I was in good hands though with my producers Kip and Rich and our showrunner Katie. This unscripted world is new to me and fascinating.
We can’t share any BEFORE or AFTER pics before the show airs. I can tell you that it’s a stunning transformation so set your DVRs.
Follow along on Twitter and Instagram with the hashtags #renoitaliano and #hgtv.
Arrivederci 2020!
Greetings from the Caribbean! There’s still no liming.
I clearly remember many of my friends saying that they were glad to see 2019 go and 2020 couldn’t be worse. Well, what can I say? 2020 showed up and showed out.
While I’m very fortunate not to have lost any friends or family because of Covid, several people I know have (mostly in Los Angeles).
I’m not going to recap this dumpster fire of a year.
I will say that my worst fears, the things that kept me up at night, happened. All of them. At once. But I’m still here.
It’s freeing in a bizarre way.
Who knows what the heck 2021 will bring? I cannot control what’s happening in the world, only how I react to it.
I’ve neglected this poor blog. I would like to write on here more often in 2021. I know I should have a scheduled time to post and what not. Nope, that’s not going to happen.
I’ve read that blogs are dead. I think it depends on the reason why one blogs or reads them. I’ve missed blogging to be honest. I find that sometimes my Instagram captions are way too long and would probably make more sense as a blog post.
The last few years have been a bit of blur which is one reason I haven’t blogged as much. I might get into why another time, I’m still processing. Everything came to a grinding halt earlier this year. Completely. I spent many days during our severe lockdown sitting on my parents’ veranda freaking out. I’m a woman of a certain age and was wondering “is this it? Is this what I’ve been busting my butt for, for all these years, only to end up here?!” I’m not the only one.
That I’m single and have no children of my own added to this sense of feeling I haven’t hit important benchmarks. Never mind that I didn’t create these benchmarks but I felt the pressure nevertheless.
I have a bad habit of saying/thinking, “okay once A happens, I can then do B or B will happen.” As if I’m constantly on hold. I’m not sure where this comes from. I can be a bit of a perfectionist but that’s not it. I’m not writing New Year’s Resolutions but I do know that one thing I want to work on is being more present. Sorry, I know that’s kind of woo-woo! What’s nuts is that I’ve actually improved since moving to Italy. Clearly, I still need to work on this.
I want to lean hard into my creativity and see what happens. I’ve been so stressed out about what’s going on in the world, my work, and my financial hardships that it’s taken a beating. I have no idea what (or how) my intention will look like moving forward but I’m excited about figuring it out.
There are going to be some big changes in 2021.
Happy New Year!
The Most Beautiful Private Terrace in Rome *
Last week my friend Livia invited me to an intimate lunch at the lovely home of Marchesa Violante Guerrieri Gonzaga.
This view.
Livia getting her Prosecco on.
Violante is one of the most down to earth Marchese I’ve ever met. Hello, I’ve met people who are Kings and Queens of nothing and yet, as the kids would say, they had a stank attitude. Violante welcomed us into her family’s home with graciousness and warmth. She’s a very talented chef, artist, painter, and photographer. Violante founded Vio’s Cooking after attending the Accademia di Belle Arti in Rome and culinary school.
The lunch Violante prepared was delicious. The award-winning wine, San Leonardo, came from her family’s vineyard located in Northern Italy near Lake Garda. The floral arrangements by Alessandro Cambi were gorgeous. I enjoyed seeing a few of my friends and meeting people in person that I’ve previously “met” only on Instagram.
Violante did all the decorative painting in this room.
Check out Alessandro’s IG. Love his work.
Violante went to her local market in Campo dei Fiori for the ingredients.
As a decorator I completely lost it (but in a calm and kept it to myself way) over the interior design. So much inspiration. It felt like a real home, collected and personal. The anthesis of the cookie-cutter interiors that are clogging up Pinterest and Instagram.
Bullion fringe is making a big comeback in the States. This view. I cannot.
Violante’s home is located in one of the most historic palaces in Rome, Palazzo Taverna. Built in the 15th century, the palazzo is in the heart of the Centro Storico. I walked by it often when I lived on Via del Pellegrino and was curious about the 17th century fountain in the courtyard, which is visible from the street. This was the second time I’ve been to the palazzo but the first time during the day. Once you’re inside you don’t feel as if you’re in large city. It’s quiet. All you hear is the fountain.
We ate inside as it had been raining all week and that morning. We lucked out with the weather.
We stopped by Violante’s boutique after coffee.
Caffe realness.
It’s located on the ground floor of the palazzo. I have my eye on these blue and green glasses.
The shop is charming. They sell tableware designed by Violante and delicacies from her family’s estate, among other gorgeous items. The holidays are coming up and this boutique has wonderful, unique gifts.
Speaking of gifts, each of us were given a copy of Violante’s cookbook. It was presented in gift bag tied with a pretty green ribbon. The color was similar to the color of the plates that we used during the luncheon. It’s a simple thing but I appreciate that level of attention to detail.
Plate designed by Violante.
Love the mix of glassware and the floral arrangement.
Sitting on the upper terrace overwhelmed by all the beauty. Photo by Cassandra of Travel Italian Style.
BANANAS!
Violante offers small cooking classes in her home and also caters events. For more information about her cooking, or her shop, please visit her website at Vio’s Cooking.
*True, I haven’t been to every single terrace in Rome, but I feel comfortable with this terrace being in the top ten.
White Kitchens - Yes or No?
Put me firmly in the YES camp. I'm the middle of sourcing cabinets for our Anguilla Beach House Project. As I read various online design magazines and blogs, it appears that white kitchens are "out". People are sick of them. Apparently, they are boring and show no creativity.
I disagree. I strongly believe that kitchens and bathrooms are not the places to be trendy. They are the most expensive rooms to build or renovate. Twenty-four percent of Americans move to a new house every five years. In other countries people tend not to move as often. If one is worried about the resale value of their home, it would make sense to have a kitchen that is not dated.
A well-designed white kitchen is timeless. This is one reason they're so popular. One cannot tell if the kitchen was renovated five months ago or fifteen years ago. A homeowner can always swap out hardware or light fixtures to freshen things up or we can use accessories that speak to the trends of the moment. Most people cannot afford (nor want to) gut a functional kitchen just for aesthetic reasons.
White kitchens are not a trend given they've been "in" for almost two decades and were very popular in the 1920s. They are classic. Seriously, what are people smoking? I think, with the rise of social media, we're burning through trends faster. There's this need for instant gratification and always looking for something new. The thing is, most of the hot trends of today will not hold up.
To me it's more important that a workhorse room, like a kitchen, functions well. Open shelving may not be practical for some families. Maybe your kitchen isn't big enough for a massive island.
If a client wants to go with dark green cabinets, I'm all for it and we'll look for the shade that works best in the space. However, if a client wants white Shaker cabinets but worries it's too boring, we're going to get the darn Shaker cabinets. We can find other ways to add some color to the kitchen.
Content driven decorators rarely think about the architecture and/or the function of the space. Many have moved away from working with clients and instead continuously buy and flip houses. That's a very different mindset than creating a home for yourself or for a client.
As I work on this beach house kitchen, I'm mindful of the trends but we will have white Shaker cabinets as they fit the space, the location, and the architecture of the home. If the house were inland or a primary residence maybe we would chose a different color.
Here are some kitchens from talented designers and decorators. Notice that they don't look the same. I wish someone would tell them that these kitchens are boring or "so over".
This kitchen is in a 1922 Colonial that was recently renovated by interior designer, David Nastasi.
Photo: New York Magazine
Modern Farmhouse by House of Jade Interiors.
Photo. The Spruce
A villa in Tuscany designed by Ilaria Miani. The estate belonged to her grandparents and is now owned by her brother. I was one of her interns and I remember her custom Whatnot shelving well.
Photo: Elle Decor
Interior designer's Mark D. Sikes's kitchen in the Hollywood Hills.
Photo: Mark D. Sikes
A minimalist NYC kitchen. Love the terrazzo floor. Interior Design by Pierce Allen.
Photo: Elle Decor
Italian Chic - by Daria Reina and Andrea Ferolla
I have written about Franco - Italian Chez Dédé before. I heard about this incredibly talented and creative couple, Daria Reina and Andrea Ferolla, from the late great Wonderfool. My friend Courtney and I met the lovely Daria at the store/spa and wanted to buy all their bags.
Daria and Andrea are quite modest. I didn't learn until this year (!) that they are the ones responsible for the typography of Pasta Garofalo, one of my favorite pasta brands. Okay, now that I think about it, this isn't a topic that would come up in everyday conversation.
There was some skepticism when they first opened their store. Why Rome? Why not Florence or Milan? An atelier/boutique/gallery like Chez Dédé would make more sense in those cities. There has been a great deal of negative press (local and international) about the state of Rome these days. Yes, the situation could be better and it's important not to ignore what is happening but walking into their shop is a much needed reminder of the reasons why we fell in love this city and country in the first place.
Their book ITALIAN CHIC is a must for anyone who loves Italy, photography, illustrations, or/and travel. It's not a guide book per se but more of a coffee table book filled with beautiful imagery. It was just published by Assouline and is available at their shops or online. The Chez Dédé store has a few limited edition copies left with a special cover featuring my beloved Sicily.
Photographed by Daria and illustrated by Andrea, ITALIAN CHIC is an intimate peek at some of their favorite places in Italy, from top to bottom. It's a love letter of sorts to a country that has inspired them. As Daria and Andrea said to Architectural Digest, “If we were not in Italy, then Chez Dédé simply would not exist,” Reina says. “We are both in love with Italy and the Italian lifestyle is certainly an integral part of our entire creative process.” Ferolla adds, “Italy cultivates the excellence of the ‘well done’ and of the simple and sophisticated style. Daria and I are heirs of this culture that reflects in each and every expression of Chez Dédé’s creative thinking.”
Daria and Andrea will be in New York City the week of October 14th for book signings. There will be an installation of Andrea's illustrations in one of Bergdorf Goodman's famous windows. Check their Instagram feed for more information (and because it's fantastic).
Photos (except for the cover): Assouline
The Design Files - A Beautiful Colonial Renovation
I published a post earlier this year regarding how traditional interiors are “in” again. I don’t think they were ever out but I’m thrilled to see color and patterns celebrated again.
I recently read about this gorgeous renovation in New York Magazine. I enjoyed The Cut Wendy Goodman’s interesting and informative interview with Interior Designer David Nastasi and his husband Michael Stone.
The couple bought the 1922 Colonial in 2014 and started the renovations a year later. It was a lot of work as the house hadn’t been touched for decades. It was important to the new owners to keep the elegant architecture of the house while updating it for the way we live today.
It’s a stunner.
Can we talk about this entrance?! I’m not the biggest Fornasetti fan. I like it in small doses BUT their Nuvolette wallpaper from Cole & Son? Cannot get enough of it. Cannot. This is a bold choice for a traditional home. I love it.
More wallpaper to love in the dining room. It’s from the Spanish brand, Gaston y Daniela.
I’m writing a separate post about white kitchens. There is nothing dated about this one. All these windows. The mix of modern and traditional. This is a kitchen I could spend hours in.
To seem more of this wonderful renovation, the article is HERE.
Photographs by Genevieve Garruppo
The Design Files - Ristorante Local, Venice
Yes, it's true that Venice has many tourist trap restaurants. Tourist traps don't care about the quality of their food (and love to over charge people) as it's a volume business, especially from the mega cruise ships. They will never see those tourists again and locals would never eat there.Do not let the bad press discourage you. There are fantastic places to eat in Venice! The restaurant Local is one of them. I'm not going to write about the food though (which was delicious) but about the interior design and overall vibe.The restaurant was opened in 2016 by brother and sister, Benedetta and Luca Fullin. The space used to be an electrical shop. It's located in the Castello neighborhood between Piazza San Marco and The Arsenale.The design like, the cuisine, is inspired by local traditional Venice but with a touch of modern international flavors.I spoke with Benedetta during our trip last month and she told they used local artisans to make, by hand, everything from the floors, to the dishes, to the lighting, etc.I absolutely love the Venetian Terrazzo floors.
They were poured by hand and hold over five thousand murrine, which were handmade in Murano. The oak table, chairs, and wine cellar were made by Pasquini Marino.The open planned kitchen is inviting. It's not a cheap restaurant (our meals were included so checked prices online) but it's not stuffy either.
The restaurant sits on a side canal, light pours in.
Local frequently showcases art, with a focus on emerging talent, from the Contini Art Gallery.It's not easy to find the right balance in a historic, popular tourist destination like Venice. Do you completely erase the past in order to stay current, or go in the opposite extreme? Local feels very much of its time and its location. I'm not a fan of eating in a restaurant that looks and feels generic. We eat with our eyes as well and the interior design and ambience of a restaurant shouldn't be overlooked. Living in Los Angeles, sometimes we had the reverse situation, gorgeous spaces that were very "in" but the food was indifferent to inedible.Twelve years had passed between my two trips to Venice. That's ridiculous. I'd like to return sooner rather than later. I look forward to returning to Local, grabbing a seat at the bar, and trying their cicchetti.
First photo and the last two photos: Me and my iPhone. Other photos: Ristorante Local
La Biennale Venice - 2018
My friend Erica invited me to join her on a press trip for the preview of the 16th Architecture Biennale. I haven't been to any of the Biennale. I follow the art, cinema, and architecture ones on social media but it's not the same.
My first (and last) trip to Venice was twelve years ago, late November. Even during off-season, the crowds in the Piazza San Marco area were quite large. The experience did not prepare for last week. More on that later.We were in Venice for only two days/one night. I would love to return to see the Pavilions I missed. Erica has a great write-up on her Instastories.Normally, we'd take a train from Rome but we had to get there in time for the press conference so we placed on a 7:00 am flight. A private boat picked us up. Not a bad way to enter the city. We had a few minutes before the press conference and met the other journalists/architects and their guests. It was a small group, only twelve of us, half were from Milan. Our hosts were wonderful and, my fellow Americans will feel me on this, I couldn't get over how organized everything was. One of the hosts flew from Milan to Rome to meet us on the flight to make sure things were on point.The theme this year is Freespace. The curators are architects Yvonne Farrel and Shelley McNamara of Grafton Architects.
After the press conference we walked over to Local, which was fantastic. It's owned by siblings Benedetta and Luca Fillun and used to be an electrical shop. I spoke more Italian in a day than I have in probably two months.We returned to the Arsenale for a guided tour of the Corderie. From there we were able to see a few pavilions before going to the hotel to check in. My favorite pavilions were the Kosovo, Canada, Italy, Bahrain, Italy, and Croatia Pavilions. I wish I had more time to spend in each one.
Erica and I decided to walk toward Piazza San Marco instead taking the boat. I was NOT READY. Remember, I've never been to Venice during high season. The crowds were on another level. I keep reading about the crowd situation but it's another thing to experience it. 28 million tourists visit Venice a year. Only 55,000 people live in Venice full-time, down from 175,000 post WWII, with around 2000 leaving every single year. AirBnB has pushed the rents sky high, and mass tourism from mega cruise ships turn streets into packed corridors during the day and desolate at night. I don't know what the answer is but this type of tourism is not sustainable.We stayed at the Bauer Palazzo and I was happily surprised to see that we had a terrace. The service was impeccable. It could be because we were with a group of journalists and architects.
As we unpacked and got ready for aperitivi I noticed a chic terrace, a floor higher, on the building next door. I asked the bartender if it was a hotel bar. He said no they were preparing for a private party. I had no idea it was the party we were going to attended. It was a little overwhelming. There was were heavy hitters from the design/architect world and folks were not playing sartorially. The Hugos, and views, were divine.
Post- reception, we had dinner on the patio of the hotel with canal view. During dinner I hear suddenly heard loud gasps. I looked to my left and saw a mega cruise ship rolling into the canal. It dwarfed the buildings. I have no words. Perhaps I'm hyper sensitive to these ships as I've seen what they've done to the quality of life for residents of the island of St. Martin/St. Maarten. I strongly believe the cons outweigh the pros.I woke up at the crack of dawn to jog and it was glorious. The city was quiet, with Venetians going to open their shops and getting ready for the new day. There were a few other tourists out jogging and some taking photos. I got lost in the side streets running toward the Rialto bridge. I didn't mind. It's surreal to be in a city where there are no cars, buses, etc. everything is brought in, and leaves, by boat. I understand why this special city has inspired writers, artists, and artisans for generations. It's a damn shame that it's being destroyed.
Erica and I had a delicious breakfast on the Bauer's rooftop terrace. We were picked up (on time!) and took a our boat to the Giardini (the gardens) to see more pavilions.
We had a guided tour of the Main Pavilion. I highly recommend checking it out. There was a very interesting scale of the NYC Project, one for a Los Angeles project, and several short films. Then we were on our own to see the rest. I have to say, I was fading fast. There was so much to take in. I missed many pavilions that I wanted to see, like Switzerland, and Antique & Barbuda. There wasn't enough time. Of the ones I made it to, America, Nordic (Finland, Norway, Sweden), Russia, France, were stand outs. I loved the roof top deck of Great Britain and France's wine set-up was very clever.
The Russian theme was about train travel and how the largest country in the world is impacted by it. There are areas that are inaccessible by train and the country spans a few timezones, There was a short film, SEVEN DAYS IN SEVEN MINUTES, regarding a man's 9,300km/5780 miles train journey to Siberia. The Pavilion was transformed into a train station with several multimedia exhibits.The Nordic Pavilion dwelt with climate change. Visually this was one of the most interesting pavilions. The large balloons inflated and deflated depending on changing environmental conditions.The American theme was Dimensions of Citizenship, which really resonated with me. There was a fascinating short film, IN PLAIN SIGHT, that used data from global space sensors showing us how humans have organized our planet. It touched on last year's hurricane season and the difference between Houston's recovering and Puerto Rico's. I was blown away by the places that had large population but no lights, and other spots with a large electrical grid but it was used only for tourists or farming.We ended our trip with an delicious outdoor lunch at Corte Sconta. Corte Sconta means, "hidden courtyard". Our meals were included in the trip so I cannot tell you how the prices were. I get the sense that Corte Sconta was the pricier of the two but it wasn't stuffy.It was hot and walking over ten miles in one day got the best of me. By the time I had to meet our group, I was completely exhausted not really physically but it was information overload. It was a lot to process.It's an incredible experience and it was unique to have these conversations in a city like Venice. I was inspired by the architects and designers I met, the Pavilions, and of course the city itself. Grazie mille, Erica.To see more photos and videos from our short trip, I've saved them in my Instastories.The 16th International Architecture Exhibition runs until November 25th, 2018.
The Design Files - Royal Wedding Dresses
You may have heard that there's a royal wedding this weekend in the U.K.I'm very curious about Meghan's wedding dress. Her style is classic. She wears the clothes, not the other way around. Meghan's not jumping on every random trend and clearly knows what works for her figure. The only look I didn't love was her dress for her official engagement photos. The dress was stunning but I wasn't sure why she was wearing it during a day shoot and Prince Harry's suit was too casual for the dress.Below are three royal wedding dresses that I adore. They all have beautiful silhouettes, the brides look comfortable, and the styles are not dated. I watched Princess Diana's wedding and remember even as a kid thinking her dress was (to reference one of my favorite movies of all time) too meringue. Perhaps it because she was younger than the bridges below, had a very sheltered life, and it was the early 80s. Princess Diana was drowning in her dress.Princess Grace was married in 1956 and this dress is still influencing wedding and formal dress designers. It was designed by Helen Rose who was a costume designer for MGM Studios. She designed two dresses, which were gifts from the studio to their star. Helen was the CD on four of Princess Grace's MGM movies.Gorgeous and timeless.
Princess Catherine 2011. Designed by Sarah Burton for Alexander McQueen. Sarah took over as Creative Director of the house in 2010 after McQueen's death. I don't know if it's rule that shoulders must covered for church wedding in the UK but this dress definitely helped bring back sleeves for wedding dresses.The sleeveless wedding dress had dominated for years. It didn't matter that the style was hard to pull off and not universally flattering. Bridal dress manufactures are happy to make this style because it's cheaper to make. Many American brides complained about the difficulty of finding wedding dresses with any kind of sleeve that wasn't dowdy and/or dated. That changed after 2011.This dress is modern and fresh.
Princess Mabel 2004. The Princess married the late Dutch Prince Johan Frisco in a custom Viktor & Rolf dress. Instead of buttons, the fashion forward Dutch designers used bows. The cut on this dress is beyond. The bows add a bit of whimsy.The bride turned down their more conventional designs and asked for something memorable. It's unique without being a costume.
[youtube https://www.youtube.com/watch?v=0VQMP8LYEV4&w=560&h=315]
The Design Files - The Authentics
The Authentics: A Lush Dive into the Substance of Style by Melanie Acevedo & Dara Caponigro, is gorgeous book that takes us into the beautiful homes of dynamic people who work in a variety of creative fields.
Ms. Acevedo is a well known photographer. Ms. Caponigro was one of the founders of DOMINO magazine and is currently the Creative Director of F. Schumacher & Co., the legendary fabric, wallpaper, and rug company.This is a book I will reference time and time again. Some of the names are famous in the design world, like Kelly Wearstler, Miles Redd, and Nicky Haslam, or celebrities such as actress Peggy Lipton and hair stylist Sally Hershberger. There are landscape architects, jewelry designers, chefs, etc. All have an unique point of view.Some of the rooms or gardens might be a bit "much" but I love that in a homogenized world there are people who surround themselves with things that they enjoy regardless of popularity.
Visually, this coffee table book is a knockout. It has thick quality paper and is beautifully photographed.The interviews with these talented creative people were very inspiring. It's easy, thanks to social media, to see the same images again and again. At first everyone is excited and then the same people start to complain that the image is played or trite. The Authentics create their spaces in a way that speaks to their interests, loves, and passions. That approach will never go out of style. 
The Design Files - Interior Design Master Class
Edited by Carl Dellatore, INTERIOR DESIGN MASTER CLASS: 100 Lessons From America's Finest Designers On The Art of Decoration, is an outstanding book.Although it's geared towards students of design and professionals, this book would appeal to anyone who's curious about interiors.The book is divided into six sections: theory, structure, style, process, elements, and inspiration. Within these sections, A-list interior designers and decorators discuss everything from floor plans, lighting, comfort, color, texture, etc. etc. This insightful peek into their process, inspiration, and interiors is a real treat. The designers range from well-established legends of the industry to the new guard.MASTER CLASS is packed with useful information and it's also gorgeous. I loved it.This book will be a classic. 
The Design Files – Traditional Interiors are Back
Traditional interiors will be big in 2018 according to various interior design articles. I never received the memo that they were "out". I don't think they ever went away, especially in cities like New Orleans, Charleston (SC), and Washington, DC.I don't belive in following trends. It's helpful to know what is going on in the world of design but the client's tastes and the architecture of the home are much more important than what's trending. For example, installing barn doors everywhere. I adore them. However, sometimes a room needs a regular door or a pocket door. Don't get me started on shiplap.Plus, following trends is an easy way to have your home look dated quickly. This will not help the resale value of your home (more relevant in the States where we renovate/redecorate and move often compared to other countries).I'm not surprised that people are falling back in love with traditional interiors. During a time of great uncertainty in the world, it's nice to be surrounded by something comforting and familiar. It's interesting to me that so many people thought/think of traditional interiors as very stuffy, too precious, and too old. In fact, traditional interiors are perfect for families, especially those with small children. Pieces that have been around for generations can take a beating. A little wear and tear adds character. The use of color helps hides stains and so on.Speaking of color, this is one way to make your space current and not like your great-grandmother's. Another suggestion is to mix it up. Place some modern pieces in the room. A room filled with only antiques can feel like a museum.Below are some recently decorated spaces in the traditional style. They're fun and have a lot of personality.This home in San Francisco was decorated by Miles Redd for a young family with four children. Pictures are from Architectural Digest.
Jane Scott Hodges's home in New Orleans is a bold mix of colors and patterns. She worked on her home with friend, interior designer, Gwen Driscoll. Photos are from House Beautiful.
Interior designer Darryl Carter wrote a book called The New Traditional. His spin on this aesthetic is more sculptural. He uses a lot of neutrals but with a variety of textures which gives his spaces movement. Photos are from One Kings Lane.
Taking My Holiday Salutations To The Next Level With Paperless Post
I always sent holiday cards when I lived in the States. Growing up it was a big deal as my parents had a very long list. They would also enclose handwritten letters to our family in the Caribbean. I loved sending and receiving cards. This was a tradition I hoped to continue once I moved to Italy.I was so naive back then. So naive!I heard that the Italian postal system was not the most efficient. However, I was surprised to receive Christmas cards in March, April, etc. or not at all. I mailed my cards in November just in case. It didn't matter, half my cards would show up long after the holidays were over.Then there's the cost. It's two euros/two dollars and thirty-five cents for a single stamp to the United States or to the Caribbean. It was annoying spending money on cards that did not arrive on time or were lost.A lot of my friends in Hollywood use for invitations, announcements, and cards. I've personally never used the brand but adored what I had received. I say this as a person who's a hardcore stationary fan. When Anagram Interactive asked me if I would be interested in using their client's website, I was excited to try it out for myself.Paperless Post's website is very easy to use. Hello, nobody has time to decipher websites that are more complicated than filling out a tax return. There's a wide variety of cards to choose from. Some of the cards are free and cards can be customized for a small additional cost. Paperless Post has collaborated with several designers (including some of my favorites) as well as having an in-house design team.With so many options you'd think it would be overwhelming to make a decision. Nope, there are filters to help you narrow your selection by color, designer, card shape, greetings, etc. Below are some of my picks for the cocktail party I'm not having thanks to a leak in my apartment (long story).
Here are some of my picks for holiday cards:
You also have the option of adding your own photo, or photos, to a card:
Paperless Post started selling both digital and paper versions in 2012 after receiving many requests from their customers. Brilliant idea, especially for those customers who are sending wedding invitations. They may have relatives or family friends who prefer paper invites.It's clear that the young founders of Paperless Post have put a great deal of thought into the design of the cards and the site in general. They've combined beauty and function. Very impressed.Note: I've been given this product to review in collaboration with Anagram Interactive. All opinions remain my own and I was in no way influenced by Anagram Interactive or Paperless Post.
Eating, Praying, and Moving in Puglia
I made it to Puglia, finally!I've wanted to visit this region of Italy for years. I was excited to learn that Eat, Pray, Move had a yoga retreat in Puglia and signed up.I wrote about my first yoga retreat which was in Tuscany. That retreat had an art component. This retreat had a Move + Manifest one.We went on days trips to Alberobello, Polignano al Mare, Martina Franca, Matera, and Ostuni. We covered a lot so instead of writing the longest blog post on earth, this is more of an overview and I will write about some of the individual towns we visited later. There was free time built into the schedule so you never felt rushed. All classes and activities were optional.We were a group of twelve women with most of us being from the States and one from Australia. It was a great group and fun to get to know everyone. Small world alert...I was speaking with one of the women and she made a passing reference to the university she graduated from. I told her that I was an alum too. We talked about our previous jobs and she mentioned a best friend, a Hollywood screenwriter, who also graduated from Syracuse University. Her friend was one of my former assistants and it was his first job in the industry. Random!Michelle's workshops were excellent and helpful. I'm slightly biased as I've worked with Michelle earlier this year. It's one thing to open up one-on-one but in a group, not so easy. On the first day I was a little skeptical about the whole thing. By the end of the week, this was me:
I went to Puglia in late September. While we had some rainy days, I've heard from my Pugliese friends that it's a great time to visit. The weather is still warm and it's less crowded. Puglia gets packed in the summer with Italians coming home from other regions, and Italian tourists. It seems that for at least the last five years, there's been a ton of press about Puglia being the "next" Tuscany. Alberobello and Matera had a lot of tourists but overall Puglia is still off the beaten path for most American tourists. It's a shame as Puglia is a beautiful region and the food is off the chain. Seriously, I cannot stress how fresh and delicious the food was. Puglia's in my top four along with Piemonte, Emilia-Romagna, and Sicily as my favorite Italian food regions.Our base was the Masseria Fumarola. It's an hour or so drive from the Brindisi airport. Thankfully, Alitalia wasn't on strike and was still solvent at the time.
The Masseria (which is what country estate houses are called in Puglia) was perfection. It's located in the heart of the Valle d'Itria area. The main farmhouse dates back to the early 1800s. Once a working farm run by the grandmother of the current owner, Masseria Fumarola was renovated by the owner's architect father. He turned it into a beautiful boutique hotel without stripping the buildings of their original charm.Love the stone floors. I was so busy enjoying the conversations and the food, I forgot to take photos of the dining room.
The Masseria is surround by six acres of woodlands that includes, olive groves, vineyards, several vegetable gardens, and orchards.
Each room/bungalow is unique. I loved how the trulli were incorporated.
The pomengranate tree outside our bunalow.
The meals we had were simple, outstanding, and very local. Most of the vegetables came from the gardens.The one day it was warm enough to go swimming in their pool, we went to the sea. We appreciated the huge fireplace in the main building during the cool evenings. We would meet there for workshops, or a glass of wine (or both) and in the morning, there were fruits, tea/coffee available for us before our 8:00 a.m. yoga class.
I was a tightly wound ball of stress when I stepped onto the plane in Rome. I'm still processing everything I learned during the workshops but physically I feel much better.I walked around the property at sunrise. I was greatful for the stillness, the scents, the freshness of the air, and the beauty of it all. My yoga has improved by leaps and bounds since the summer. This time my mind didn't wander. While Erin's classes sometimes kicked my butt (my abs were on fire the next day) I looked forward to that hour and fifteen minutes.Rome can be a very difficult city and this year has really tested my perseverance. During my trip to Puglia, I was able to reconnect a bit with the main reasons why I moved to Italy in the first place.I cannot wait to return to Puglia. Bari and Lecce are on my list.
Photos: Me and my iPhone, except for the pool photo from Masseria Fumarola.
I Used to Hate on Florence, Italy.
I went to Florence for the first time during my second vacation in Italy. I stayed for a couple of days.My second trip was a few years later during the first month I lived in Italy. I couldn't wait to leave both times. The second trip was over nine years ago and I believed if I never visited again, it was okay with me. Never mind that at some point I would need to return for work. My plan was to get in and get out.I loved the art and thought the city was beautiful, so what was my damage? I couldn't get a read on the city, no sense of place. I had visited during the months of May and April respectively and couldn't walk down the streets. It was that crowded with tourists. Florence felt like a Renaissance amusement park.A friend in Los Angeles was dating a chef in Florence and she suggested I go to his restaurant for lunch. He couldn't have cared less. Our mutual friend, had the same experience. She has spent a lot of time in Italy (from top to bottom) and shrugged at his rudeness saying, "Florence."Earlier this year, I was having drinks with a friend and his dear friend who grew up in Florence. She told me I needed to return to the city. That the energy in the city is completely different from my last trip. My friends who live in Florence said the same thing. I was skeptical.I decided to go on my birthday to see what my Florentine friends were raving about. August is blazing hot and still high season, but I found an excellent same day fare on Italo.This is how I felt after my day in Florence.
No, it's not because Rome is a trainwreck right now (please get it together Mayor Raggi). It's because I completely misread Florence.Man, I used to talk so much smack about Florence. In my defense, I wasn't the only one. A friend from NYC, who comes to Italy every year, emailed me during her first trip to Florence and said she was in the seventh circle of hell. She was there during the height of the high season.Yes, Florence is very popular with tourists and American exchange students. Since my two earlier trips, friends have moved to Florence and their version of the city is not what I experienced back then. How could it be? I was there for four days max. They live there. They know Florence. Their version is the side I was able to see during my trip last month.I had been to all the museums before and I didn't have a crazy itinerary this time. I wanted to see the Boboli Gardens and friends who were in town but otherwise left my schedule open to just walk around.I speak Italian now. When I walked into a store and the salesperson automatically spoke English to me, I responded in Italian. Their mood changed. Except for one dude at a handmade paper shop. I was looking for a birthday gift for a friend. I walked in and gave my best, "buon giorno". He looked at me and then proceeded to ignore me. Hello, even in Rome they will at least give you a salty, "buon giorno", or "salve" in return. I'm sorry that he had to work during Ferragosto while the vast majority of his peers were at the sea or in the mountains. Perhaps he should've closed his store during August?I had lunch at Osteria dell'Enoteca. I didn't know what restaurants would be opened during Ferragosto. Thankfully, Georgette (aka Girl in Florence) had a post for that.Georgette and I finally met in person when she was in Rome earlier this year. I think Florence's tourism board should give her a medal and a lot of money. I always forward her blog to friends, and friends of friends, who are visiting Florence.I find Tuscan cuisine a bit heavy. These ravioli were light and delicious. The waiters were lovely. It was the perfect birthday lunch.
I met Veronica in Rome through friends at my favorite store Chez Dede. She saw my Instagram post about the Boboli Gardens and suggested I stop by their store And Company. I'm thrilled that they were open during Ferragosto. It's my kind of place. I was so busy talking and looking at everything, I didn't take any photos. I did post a few videos on Instastories.Betty Soldi, is one of the owners and a very talented calligrapher. I want all her cards. Her new book dropped this month and I cannot wait to read it.
I met Melinda at Ditta Artigianale for some iced tea and air conditioning. Melinda, an American, used to commute between Paris and Florence. Currently, she lives in Florence full-time. The last time we saw each other was in Rome years ago. We had a lot of catching up to do.The Boboli Gardens were one of the many highlights of the day. It was extremely hot. I wasn't able to take it all in. I must return in fall so I can spend more time exploring.
This was my first time visiting the church San Spirito. No pictures are allowed inside. Trust me when I say it's worth a visit.
Georgette has posted a few cocktails from Irene on Instagram and she said the next time I came to Florence we had to meet there. We did. The cocktails were on point and the food was great too.
I went to the bar super early because I was basically melting in the heat. The bartenders couldn't be more friendly despite the fact that I only ordered water to drink, while watching Instastories, as I waited for Georgette and her friend.Irene is the hotel bar/bistrot for the Hotel Savoy. I loved the vibe with its fantastic interiors and the crowd was a mix of locals and guests of the hotel. It's located right on Piazza della Repubblica in the heart of the Historic Center. The space is named for Rocco Forte's (the owner) mother.
I took the fast train home. Florence is only an hour and a half train ride away.
There are a lot of day trippers, via cruise ships, in Florence. Once the sun goes down the city does empty out a bit. If you can stay longer than a day, I highly recommend it.I definitely felt a different energy during this trip. A buzz, a sense that exciting things are happening on the creative front.I left Florence feeling inspired by all the creative and talented people I met. I cannot wait to return.
Photos: Me and my iPhone unless otherwise noted.
Life in Rome - Mini-break at Le Méridien Visconti Hotel
One of my friends, who owns a boutique travel agency in Italy, told me that finding four star hotels in Rome is difficult. She said there are great options at the five-star high-end level and at the economical end but there are too many four-stars that are really a three- star at best.Enter Le Méridien. The Starwood Group recently added the Visconti Hotel to its portfolio. The hotel officially reopened this June after a twenty million dollar renovation.I had the opportunity to stay at the hotel for two nights. Before my stay I read reviews online because I'm anal. The reviews were very good except for two things, the air conditioning and the WiFi.Given my stay was happening during one of the worst heatwaves in history and I had several work deadlines, I was concerned.They must have fixed these issues as I'm happy to report I had no problems. In fact the A/C was so strong I had to turn it off. My fellow Americans, you know that NEVER happens in Italy.The hotel is located in Prati. It's a few minutes walk from Piazza Cavour and in the other direction (a slightly longer walk), Piazza del Popolo. I think it's a perfect location. You're near the Historic Center but not smack in the middle of it and the prices reflect this. The area is centrally located as Piazza Cavour is a major bus hub. For those who like to walk, you can cross the river and be in the heart of the Historic Center in ten minutes.The roof terrace is fantastic. Sometimes there are annoying loud seagulls who like to wait for people to leave and then dive in for the food. The waiters are on top of it though. Seagulls 0.
Service was great. Granted some of the employees at the hotel have seen me a few times but that wasn't the case with the check-in. I thought they were friendly. There was a small line when I arrived but it moved quickly.Location, price, design, of course all these things matter but when I stay in a hotel there are two things that are extremely important to me. Cleanliness. I cannot stand clutter and dirty bathrooms or kitchens freak me out. I don't want to step into a hotel bathroom and see hair in the drain. Just typing that made me feel queasy. The other thing is the bed. It must be comfortable.My room was spotless and the bed was excellent. The toiletries are Malin & Goetz. I was so geeked out to see them because no retailer in Rome sells these products. I checked the website and there is a store in Milan that carries them. I muust remember this important information for my next trip.
The interior design has mid-century touches that also speak to the hotel's location in the Eternal City. The head designer was Harry Gregory of the firm, ara Design International. They wanted to create something timeless.I adore the pared down use of marble, a material synonymous with Italy and Rome. I think too much marble can make an interior feel cold. At the Le Méridien it's warm and dramatic.The neutrals of grey, black, and white, with splashes of color, are relaxing and chic. The Longitude 12 Bar and Bistrot is a great place for a coffee during the day and for cocktails at night. The Bistrot also has a delicious lunch and dinner menu and starts serving wine around noon.In the Bistrot there's a communal table that has outlets for your laptop and phone adapters.
Downstairs, there was a wide selection for breakfast, including American bacon. I repeat, there was American bacon.
The hotel has an eclectic art collection, from abstract to figurative pieces, created with different materials. These artworks are from the private collection of the Toti family. Their collection focuses on Italian artists from the 1980s. When people think of Rome they often focus on classical art. It's wonderful to see some contemporaries pieces as well.
The gym is small but well-equipped with Technogym equipment. Did you know Technogym was an Italian company? I saw this brand in high-end gyms in New York City and Los Angeles and had no idea until I moved to Italy. Mind blown.I stayed at the hotel in early August but have been stopping by since April. This is not official market research but it seems to me that the hotel is very popular with couples, families, business travelers, and friends traveling together. I didn't see too many solo vacation travelers but I've always felt welcomed thanks to the friendly service.Photos: Me and my iPhone. Disclaimer: I was a guest of the hotel. However, opinions and thoughts are my own.
St. Martin and Anguilla Pre Hurricane Irma
As many of you know, my family is from the Caribbean with the majority living in St. Martin and Anguilla.There have been plenty of articles in the international press, and videos, showing the complete devastation and aftermath. As of today, we're still waiting to hear about one of our relatives. We are sick with worry but thankful that most of our friends and family are safe. Many have lost their homes, or have sustained major damage, and the non-retired members, their jobs (for now).It may take up to three years for St. Martin to rebuild. I haven't heard any estimates yet regarding Anguilla.I know these are tiny islands so no one really cares what happens to them. I was speaking to a Hollywood exec friend of my mine whose parents are also from the Caribbean and she noted the overall silence from well known African-American celebrities, including the ones who are from the region (seriously?) and the ones have vacationed on the islands.Perhaps this will change in the coming days.
