My Ciao Bella interview with JJ Martin, founder of La Double J
Buongiorno a tutti!
Erica Firpo's Ciao Bella has published my interview with JJ Martin. Yes, it's true I rave about her and her brand often but I know first hand how difficult it is to be an entrepreneur in Italy. What JJ has created is incredible.
It was truly a pleasure to sit down with this very talented and dynamic woman to discuss interior design, creativity, and living in Italy.
To The Max: Designing Milan’s La Double J Store
Brick and mortar maximalism
When I read LaDoubleJ (those fabulous maximalist dresses from JJ Martin, Patron Saint of Patterns) was going to open its first retail shop, I couldn’t wait to see its interiors, not just because I’m a decorator but also as a fan of JJ Martin’s colorful brand. As luck and business would have it, I had to travel to Milan to meet with a new client. And Erica, knowing that visiting the new La Double J store was a “must” on my list, asked me if I could write about the store. JJ was gracious to carve out some time in her busy schedule to sit down with Ciao Bella to discuss the design of her new store and her brand.
Arlene Gibbs: First question. What inspired you to open an actual store, brick and mortar, at this moment when all we hear is that retail is dead. It’s all about e-commerce. No one goes to stores anymore.
JJ Martin: Well, we started as a direct to consumer business and an online business so I totally agree with that. I don’t think it makes sense at all, these brands that were built on brick and mortar with three hundred shops around the world. It doesn’t feel relevant anymore, especially these cookie cutter shops that all look the same. When you scan these streets, you can’t even tell the difference. They all have white walls, really bright light, chrome or gold finishes.
AG: You could be on Rodeo Drive.
JJ: You could be anywhere. So, a huge network of stores was never my vision nor will it be. However, we stared in this little showroom in Milan that was our showroom, our atelier, our office, our workroom, everything, and we were also selling clothes at the very beginning from there. It literally did like five things. What we kept hearing from people all the time was, “don’t you have a place we could try on more clothes?”
To read the rest of the interview, click HERE.
Photos courtesy of La Double J.
Villa Necchi, A Must See/Do in Milan
Ciao from a rainy morning in Rome.
I know I said I was going to write on this here blog more often but work this year has been very hectic. Perhaps things will slow down during Spring '22! I'm not complaining as these are good problems to have, especially during these strange pandemic times.
I went to Milan last week, just overnight, for the Salone. The energy in Milan was incredible. I felt safe going to showrooms and events as there were Covid protocols in place. Milan and the surrounding area were hit hard last year and no one wants to return to a lockdown.
I'm writing this while still on a Design Week high. I went to Milan in July for work and I was finally able to visit this palazzo. It has been on my list for ages and seeing the movie IO SONO AMORE/I AM LOVE only added fuel to my desire. The full name is Villa Necchi Campiglio but most know it as Villa Necchi.
Villa Necchi was designed and built by architect Piero Portaluppi from 1932 -1935 for the owner of the Necchi company, Angelo Campiglio, his wife Gigina and his sister-in-law, Nedda. There were some modifications and additions added by Architect Tomaso Buzzi after WWII. His style was a bit more traditional and you can see the difference as you walk through the villa. The villa was occupied by the fascists during the war and the family called Architect Buzzi once they were able to finally return to their home.
It took my breath away and pictures do not do it justice. It's amazing to see how modern these rooms from the early 20th century look and feel! It takes serious talent to design spaces that are classic yet contemporary. Portaluppi and his clients were truly ahead of their time. The Necchis entertained often and the house's public areas layout reflect this. This house was THE place to be back in the day.
The family had no children and instead donated their home to the non-profit FAI, the Italian National Trust.
The home has a large private garden with a swimming pool and tennis courts. Remember this is in the center of a large city! The villa is also filled with art, mostly 18th century, including artists Canaletto, Marieschi, and Tiepolo.
Look at the ceiling in the library! That design is a Portaluppi signature and you see it employed discreetly through out the villa.
I won't say anything to spoil the film for those who haven't seen it yet but one of the most important scenes in the movie takes place in this location.
The bathrooms were to die for. Again, I couldn't believe there were built in the 1930s. The veranda was another favorite room. The furniture was original and I could see those pieces being sold today. Even the utility rooms were design heaven. The Necchi family had custom Richard Ginori dinner service. I love the design of the "C" logo.
Style/fashion lovers will get a kick out of the sisters' built-in closets. The custom pieces from Gucci, Ferragamo, and Hermès are gorgeous. Quality and design like that never goes out of style.
The guides were very helpful, bilingual and there were two or three on each floor. I cannot recommend visiting this gem enough. My pictures and videos from this fantastic tour are in my Instagram highlights.
Buon weekend!
All villa photos: Giorgio Majno, © FAI — Fondo Ambiente Italiano
Dream of Italy: Travel, Transform, and Thrive
Buongiorno from Rome!
Things have been quite hectic here even though we're in the middle of summer. I'm staying put this year. I might go away for a long weekend in late August but it depends on what's going on with this Delta variant.
The tourists are back. Not pre-pandemic number of course but what a change from a few months ago. People are so excited to be here. For those who love Italy and/or would like to do some armchair traveling, there's a special Dream of Italy episode currently airing on PBS stations nationwide (USA). It's part of their pledge season, with a notable appearance by actor Joe Mantegna, with host Kathy McCabe.
Kathy and I looking at the gorgeous architecture on Via Monserrato. One of the prettiest streets in Rome.
In this special Kathy interviewed expats/immigrants who have moved to Italy part-time or full-time. She focuses on eleven essential elements of the Italian lifestyle – the land, food, family, art & culture, beauty, pace of life, passion, movement, community, celebrations and sense of home– through our stories. Kathy discusses how one can incorporate the values, inspiration, and beauty of Italy into their lives. There are also practical tips for people who are interested in moving to Italy for a sabbatical or permanently.
Interview with Kathy at Cantiere Galla Design showroom. I spend a lot of time here for clients.
Some of the people who were interviewed (Sting, Trudie Styler, Francis Mayes, Francis Ford Coppola) are very famous. Some, ahem me, are not. We all have unique stories and experiences of how and why we came to Italy. For more information and to find the airdates for your area click HERE. At the moment it's only airing in the USA and some areas in Canada that receive PBS stations. It should be on available for international viewers in 2022.
Some BTS with friends on the rooftop terrace of Hotel de la Ville.
This special was filmed before the pandemic. I'm thrilled to be a part of this program that speaks to the wonderful things about living in Italy.
The Cottage, Meads Bay Beach, Anguilla BWI - Reveal
Building and designing a new beach house on a tiny island is not the easiest of jobs.
This was a personal project and I was working with several people who all have different tastes. I wanted to incorporate everyone's ideas yet make sure the space was cohesive.
This is a cottage so nothing too fancy or formal. A cottage is more traditional. That's why we have spindles and rails on the veranda and not glass. I wanted it to be comfortable. It's Relaxed Chic. It's the vacation home of your favorite aunt and uncle who like to have a cocktail, or two, as they watch the sun set from their veranda.
The logistics! The one two punch of the strongest hurricane to ever hit the Atlantic and then two years later the first global pandemic in one hundred years didn't help. However, thanks to a very dedicated and hard working team, we did it! The Cottage is finished.
Here are two before photos:
Standing in front of what was going to be the kitchen island looking out at the sea view.
After: The sea view from behind said island. The house was designed to take advantage of the spectacular views. There was a big debate about the ceilings. Yes they are very high (over 19 ft) and the wood was beautiful but I thought staining them a dark color would be a mistake. The only natural light is coming from the bi-fold veranda doors and way on the other end, the windows in the kitchen.
We painted the walls and ceiling a softer white than the external color The color running through the house is blue with touches of yellow, and a coral red.
The countertops are poured concrete. The counter stools are from Serena and Lily. The handmade made bowl is Schoolhouse and the pomegranates came from our contractor's mom's backyard.
Almost everything has to be imported due to the island's size. I had a local carpenter make quite a few pieces. I was asked why not buy the bedside tables, in the Main Bedroom, in the States as it would be easier and probably cheaper. I did it because we already had a full container coming from America and it's important no matter where you build/renovate to support local businesses and artisans when possible.
I cannot stand it when you're unable to get a sense of place in a house. I'm a huge fan of the big American stores I sourced from but it's a good thing, especially for a new build, to mix it up. I don't like spaces that feel like a showroom. I also sourced from smaller vendors and to the trade.
The Caribbean is mix of cultures and that's reflexed in The Cottage. I side-eye the fact that one culture is usually missing despite the majority of the people who live in the Caribbean being from that culture.
The dining table was sourced at the French store La Maison in St Martin. The chairs, Amazon USA. A local upholster made the seat cushions. The fabric is from Ghana and was bought at the African Market store in St. Maarten (Dutch side). The vase is Crate & Barrel.
The view looking in from the veranda. Ceiling fans are Minka Aire. Sofa is from La Péninusle in St. Martin. Coffee table is Serena and Lily. Arm chairs IKEA. Custom seat cushions outdoor/indoor fabric Sunbrella from Showroom Tapissier in St. Martin. Side table from Home Kara in St. Martin.
I designed the custom bookcase/desk with our carpenter.
This is the view looking out from the veranda.
The kitchen. The cabinet doors were custom made by our carpenter. The pendants lights had to be a special order from Schoolhouse because of the height. Sconces and hardware are Schoolhouse as well. I decided not to do upper cabinets. This may not be practical for a primary residence but for a vacation house it makes sense. It's easier to find everything. I feel upper cabinets would look odd with these type of ceilings. They would cut the space in half.
Glassware, tableware, and small appliances are from Crate & Barrel. The larger appliances including the wine refrigerator (it's in the island), integrated dishwasher, and mircowave are GE and were bought through Sheila Haskins who is the authorised GE vendor on island.
When it came to the countertops, I knew from the very beginning they would be concrete. I like that they were made by hand and the material is perfect for this beach house style. The floors are coral stone tile from the Dominican Republic. Backsplash is Granada Tile also handcrafted.
I wanted this to be a comfortable house where people could relax and enjoy themselves. The tray is from Serena and Lily. The art work was commissioned from a young Anguillian artist, Carmel Gumbs. It's a black and white oil of Shoal Bay. B&W was a risk but with the incredible views why compete? It's different. The clients love it. Vase is Crate & Barrel. The morning of the shoot I cut some branches from our sea grape tree.
The main bedroom as the sun starts to set. The bed is Crate and Barrel. The basket is Vendredi in St. Martin. The lamps are from One Kings Lane, and the bed side tables are custom. The sheets in all the bedrooms are Boll & Branch.
Another angle of the bedroom. That view! So glad we went with these type of doors. Great for indoor/outdoor living.
The en-suite bathroom. Sconces are from Shades of Light.
I designed the custom vanities with our carpenter and contractor. We stained the wood instead of painted it. I like having some wood in the bathrooms. Warms things up a bit.
In the original plans there was another closet where the tub currently is. Where the shower is now was supposed to be the tub AND the shower. I did a walk through once the internal walls were up. I suggested we get rid of the closet and place the tub there. It's a vacation house. It's not necessary to have two large closets. I think most people would rather have a roomy shower.
Sigh. That shower.
This bedroom also has a sea views and a king size bed. Bed is from Serena and Lily. Lamps One Kings Lane. Bedside tables from La Péninsule in St. Martin. Dresser is from Crate & Barrel.
That sea grape tree has been there for ages. I would like to relax on this veranda. Chaise lounges from One Kings Lane.
The en-suite bathroom. The next bedroom (yellow room) has the same bathroom.
The yellow room. Garden View. Twin beds and dresser are Crate & Barrel. Bedside tables from La Péninsule, St. Martin.
This color was quite controversial. This room gets a LOT of sun and the color changes during the day with the light. It's called Bermuda Sun. Appropriate.
I've just read an article in Architectural Digest regarding how yellow is one of the toughest colors to work with but it's making a comeback. I stand by my choice! Plus, it's very pretty at night.
The closets were built by our carpenter.
In the hallway looking into the half-bedroom and the powder room.
The day bed is from Crate & Barrel. Floor lamp Serena and Lily.
The customs/installation drama with this wallpaper was worth every grey hair.
This is a small room. Powder rooms are the perfect space to go all out. Wallpaper is Thibault (to the trade). Sconce is Circa Lighting.
This is technically the front of the house. You walk in and your eye goes immediately to the view.
The cabinets are custom. Bench is Serena and Lily. Black sconces, hooks, and door knobs from Schoolhouse. Chrome sconce is Circa Lighting and these are in all the bedrooms as well. Art work is a print from St. Martin based artist Antoine Chapon.
Bag is from Ghana sourced at the African Market store, St. Maarten.
The very large Dutch Door. I changed it from a regular door so it's possible to keep the top open for a breeze without worrying about young children, out of eyesight, going outside .
Custom shade is from The Shade Store.
Meads Bay Beach is also famous for its sunsets. Not a bad place to enjoy them. Table, love seat, coffee table, from Le Péninsule and the yellow chairs are from La Maison, both in St. Martin. Tableware and teak candle holders (on the floor) from Crate & Barrel. Table top candle holders from Paloma & Co.
I would love to walk out of the bedroom and sit here with some rosé or rum punch.
No words regarding this view.
Sconces on the veranda are Circa Lighting. Sconces outside the veranda are Shades of Light.
Meads Bay.
Buona notte/Good night!
The logistics of this project were on the Italian bureaucracy level. One thing I would highly recommend is hiring a local project manager from the very beginning, even if you're on island. We started working with Gifford Connor mid-way through this project. Once the pandemic hit, and the borders were closed, I wasn't able to visit the job site even when I was in St. Martin just a 20 minute ferry ride away. It was great to have someone on the ground to keep everything moving forward.
Anguilla is truly a special place. She has managed to retain her soul (so far) despite the increase in tourism. The government looked at what St. Maarten did and decided not to go that route. There are no casinos and no big cruise ships. I didn't appreciate this island when I was a teenager. I thought it was too small and so boring. All my relatives were super strict and nosy. I wished I were back in Jersey at the Willowbrook or Short Hill Malls with my friends. Ha. That all changed once my parents moved back to St. Martin after retiring. I started to spend more time in the Caribbean and realized that all the things that I resented when I was younger, I needed/wanted in my life.
This property belonged to my great-grandmother Priscilla Connor. I don't know much about her and next time I'm in Anguilla I will try to look up when she was born. Her daughter Martha was born in 1898 (and lived to be almost 101 years old). The high-end luxury tourism boom took off in the '80s. Now the Four Seasons (formerly the Viceroy) is on one end of the beach and Malliouhana Hotel is on the other end. My grandmother was a widow and yet she refused to sell her land. She turned down every offer. She said it would go to her children. It did and my uncles and aunt agreed with my mom to let "the kids" build The Cottage. Everyone contributed. We're one of only two or three local families to still own property on this beach. I think of Priscilla often. I wonder what her life was like and what she would think of Anguilla today. This is more than just a beach house to us.
Doors, windows, wood, and indoor shutters sourced from Arawak Hardwoods a local company that also has an office in Florida.
All bathroom fixtures and fittings are from Quality Bath.
Builders: Ernest Fleming and Shawn Romney
Architect: Anderson Home Planners
Project Manager: Gifford Connor, APA - Anguilla Property Services
Photography: KSharp Media
Click HERE for more information regarding vacation rentals.
Chatting with Ciao Bella!
I know I'm late to the game but I've just recorded my first podcast interview. I have mentioned my friend Erica Firpo's podcast CIAO BELLA on social media before. It's fantastic and I'm not saying that because she's a close friend.
This description of Ciao Bella sums it up perfectly.
"Italy's 21st-century creators - contemporary artists and artisans, heritage brands and innovative aesthetes, chefs, experts and more who are defining, redefining and evolving Italy.
Fashion. Food. Art. Travel. Design. Innovation. Tradition. And more. Cocktail conversations and behind-the-scenes visits that will make you want to pack your bags and go!"
I'm thrilled to be in the company of other Italy based creatives and to discuss what it is we love (and sometimes don't love so much) about this country.
In this episode we talked about working in Italy, interior design, Reno Italiano, and the beach house project I recently finished in Anguilla, BWI.
Erica and I met at Ciampini Caffe, one of our favourites places in Rome. Of course while we were there, construction started on an apartment above us.
Lockdown in the Caribbean - No Liming
Greetings from my parents’s veranda.
Liming is Caribbean slang for hanging out. Spending time with family and friends. A party. There’s no liming going on here.
I arrived in St. Martin a day before all Air France flights to and from Italy were canceled. Sheer luck. I had booked my trip after a major project in Italy was postponed due to the CDC raising the travel alert to Italy. My American clients were unable to fly to Italy and I needed to go the Caribbean for our Anguilla beach house project.
When I arrived in St. Martin, in mid-March, I had to self-quarantine for fourteen days. I spent a lot of time in my room and on the veranda, far away from my parents. I was stressed out. I felt fine and we didn’t have a major outbreak in Rome. However, I knew that Covid-19 was highly contagious and it’s possible to be asymptomatic.
During my quarantine period, we (France and French territories) were placed under a strict lockdown. It was supposed to end on April 3rd. It was extended to May 11th.
We’re hoping some restrictions will be lifted in two weeks. It’s been a difficult period. We’ve been very fortunate here on the French side with very few cases of Covid-19. I’m curious to see how the local governments will reopen the borders. I can’t imagine cruise ships with thousands of people docking on the Dutch side any time soon. How will they test for the virus? What about international flights?
Anguilla has no cases at all. They completely shut down their borders. I won’t be able to get to the construction site until sometime (maybe!) late next month.
I’m glad that my parents are not alone during this lockdown. I’m the designated grocery store shopper for them and other elderly relatives. I’ve never been so excited to go to a grocery store or a pharmacy in my life! I put on a nice (but casual, it is the Caribbean) outfit for my once a week trip. I skip lipstick as we must wear a mask. We’re allowed to go outside in/near our neighbourhoods to workout/walk dogs. We have special documents with us whenever we leave the house. The Gendarmes are not messing around.
I did hit a rough patch a few weeks ago but I’m on the other side now. It could be because we’re seeing the positive results of the lockdown and know that better days are coming here and in Italy. I’m worried about the States.
I hope wherever you are, you’re safe and well.
Looking forward to having a rum punch on this beach, Friar’s Bay.
The Most Beautiful Private Terrace in Rome *
Last week my friend Livia invited me to an intimate lunch at the lovely home of Marchesa Violante Guerrieri Gonzaga.
This view.
Livia getting her Prosecco on.
Violante is one of the most down to earth Marchese I’ve ever met. Hello, I’ve met people who are Kings and Queens of nothing and yet, as the kids would say, they had a stank attitude. Violante welcomed us into her family’s home with graciousness and warmth. She’s a very talented chef, artist, painter, and photographer. Violante founded Vio’s Cooking after attending the Accademia di Belle Arti in Rome and culinary school.
The lunch Violante prepared was delicious. The award-winning wine, San Leonardo, came from her family’s vineyard located in Northern Italy near Lake Garda. The floral arrangements by Alessandro Cambi were gorgeous. I enjoyed seeing a few of my friends and meeting people in person that I’ve previously “met” only on Instagram.
Violante did all the decorative painting in this room.
Check out Alessandro’s IG. Love his work.
Violante went to her local market in Campo dei Fiori for the ingredients.
As a decorator I completely lost it (but in a calm and kept it to myself way) over the interior design. So much inspiration. It felt like a real home, collected and personal. The anthesis of the cookie-cutter interiors that are clogging up Pinterest and Instagram.
Bullion fringe is making a big comeback in the States. This view. I cannot.
Violante’s home is located in one of the most historic palaces in Rome, Palazzo Taverna. Built in the 15th century, the palazzo is in the heart of the Centro Storico. I walked by it often when I lived on Via del Pellegrino and was curious about the 17th century fountain in the courtyard, which is visible from the street. This was the second time I’ve been to the palazzo but the first time during the day. Once you’re inside you don’t feel as if you’re in large city. It’s quiet. All you hear is the fountain.
We ate inside as it had been raining all week and that morning. We lucked out with the weather.
We stopped by Violante’s boutique after coffee.
Caffe realness.
It’s located on the ground floor of the palazzo. I have my eye on these blue and green glasses.
The shop is charming. They sell tableware designed by Violante and delicacies from her family’s estate, among other gorgeous items. The holidays are coming up and this boutique has wonderful, unique gifts.
Speaking of gifts, each of us were given a copy of Violante’s cookbook. It was presented in gift bag tied with a pretty green ribbon. The color was similar to the color of the plates that we used during the luncheon. It’s a simple thing but I appreciate that level of attention to detail.
Plate designed by Violante.
Love the mix of glassware and the floral arrangement.
Sitting on the upper terrace overwhelmed by all the beauty. Photo by Cassandra of Travel Italian Style.
BANANAS!
Violante offers small cooking classes in her home and also caters events. For more information about her cooking, or her shop, please visit her website at Vio’s Cooking.
*True, I haven’t been to every single terrace in Rome, but I feel comfortable with this terrace being in the top ten.
Work in Progress - Anguilla, British West Indies
The last few months have been off the charts hectic, in a good way.
One of the projects I’m working on is a new beach house on Meads Bay Beach in Anguilla. I don’t know how or why our job site suffered only a little damage during Hurricane Irma, the strongest hurricane ever recorded in the Atlantic. Meanwhile, just down the beach, the Four Seasons had twenty million dollars worth of damage. We were very lucky.
Hotels have rebuilt and reopened. Many of the damaged homes have been repaired. There’s still some work left to do but things are moving forward. I’m in awe at how quickly this tiny Caribbean island bounced back.
The construction should be finished in a few months.
Very early stage. The basement and cistern.
View from the veranda by the master bedroom.
View from the kitchen after we cleaned up all the sand blown in from Irma.
The ceiling almost completed.
Painting these high ceilings was a lot of work for our crew.
Master bedroom with accordion doors.
Main veranda.
View from said veranda. We will work on the landscaping once the heavy construction is done.
The other end of Meads Bay. The beach house is smack in the middle.
Marigold - A Delicious Newish Restaurant/Bakery in Rome.
I’ve bought baker Sofie Wochner’s cinnamon rolls during the Latteria Studio‘s holiday pop-ups. Big fan. I’ve also heard about the pop-up dinners she and her husband, chef Domenico Cortese, used to hold in various locations through out Rome.
Sofie and Domenico have dreamed about opening a restaurant and micro bakery in Rome for years and recently they made that dream come true. They’ve opened Marigold in the dynamic and artsy Ostiense neighborhood.
It’s on the other side of town and quite the hike for me. However, after my meal on Saturday, I’m more than happy to walk to the tram, take the tram to the Metro, and then walk from the Metro to the restaruant.
My friend Marta and I met for brunch. Well, more like breakfast as we arrived pretty early, around 10. It’s a good thing we did. The restaurant filled up quickly and I read there’s usually a line out the door after 1:00 p.m. The space is lovely. It’s minimalist/modern yet warm. The music is chill and enhances the vibe. The handmade ceramics are beautiful. The service was great, attentive without being intrusive.
We both had the waffles as we never make them at home. Neither one of us has a waffle pan. They were excellent. I also ordered some carrot cake because it was Saturday. It was delicious. I’m very picky about cakes, especially in Italian where American style ones can be too dry. The carrot cake was perfection. Not too sweet and the icing was great too.
I haven’t had the bread but my friends rave about it. Sofie walked out with a tray of chocolate chip cookies as we were leaving. I had already ate my weight in sugar and bought some cinnamon rolls to go. While I was tempted to buy some cookies, I decided to hold off and return another day. I will probably buy some cinnamon rolls too and the carrot cake again, and maybe a brownie. Perhaps it’s a good thing that Marigold is on the other side of town.
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Closed on Mondays.
Via Giovanni da Empoli, 37
Rome, 00154 +39 06 8772 5679
The Design Files - A Beautiful Colonial Renovation
I published a post earlier this year regarding how traditional interiors are “in” again. I don’t think they were ever out but I’m thrilled to see color and patterns celebrated again.
I recently read about this gorgeous renovation in New York Magazine. I enjoyed The Cut Wendy Goodman’s interesting and informative interview with Interior Designer David Nastasi and his husband Michael Stone.
The couple bought the 1922 Colonial in 2014 and started the renovations a year later. It was a lot of work as the house hadn’t been touched for decades. It was important to the new owners to keep the elegant architecture of the house while updating it for the way we live today.
It’s a stunner.
Can we talk about this entrance?! I’m not the biggest Fornasetti fan. I like it in small doses BUT their Nuvolette wallpaper from Cole & Son? Cannot get enough of it. Cannot. This is a bold choice for a traditional home. I love it.
More wallpaper to love in the dining room. It’s from the Spanish brand, Gaston y Daniela.
I’m writing a separate post about white kitchens. There is nothing dated about this one. All these windows. The mix of modern and traditional. This is a kitchen I could spend hours in.
To seem more of this wonderful renovation, the article is HERE.
Photographs by Genevieve Garruppo
The Design Files - Ristorante Local, Venice
Yes, it's true that Venice has many tourist trap restaurants. Tourist traps don't care about the quality of their food (and love to over charge people) as it's a volume business, especially from the mega cruise ships. They will never see those tourists again and locals would never eat there.Do not let the bad press discourage you. There are fantastic places to eat in Venice! The restaurant Local is one of them. I'm not going to write about the food though (which was delicious) but about the interior design and overall vibe.The restaurant was opened in 2016 by brother and sister, Benedetta and Luca Fullin. The space used to be an electrical shop. It's located in the Castello neighborhood between Piazza San Marco and The Arsenale.The design like, the cuisine, is inspired by local traditional Venice but with a touch of modern international flavors.I spoke with Benedetta during our trip last month and she told they used local artisans to make, by hand, everything from the floors, to the dishes, to the lighting, etc.I absolutely love the Venetian Terrazzo floors.
They were poured by hand and hold over five thousand murrine, which were handmade in Murano. The oak table, chairs, and wine cellar were made by Pasquini Marino.The open planned kitchen is inviting. It's not a cheap restaurant (our meals were included so checked prices online) but it's not stuffy either.
The restaurant sits on a side canal, light pours in.
Local frequently showcases art, with a focus on emerging talent, from the Contini Art Gallery.It's not easy to find the right balance in a historic, popular tourist destination like Venice. Do you completely erase the past in order to stay current, or go in the opposite extreme? Local feels very much of its time and its location. I'm not a fan of eating in a restaurant that looks and feels generic. We eat with our eyes as well and the interior design and ambience of a restaurant shouldn't be overlooked. Living in Los Angeles, sometimes we had the reverse situation, gorgeous spaces that were very "in" but the food was indifferent to inedible.Twelve years had passed between my two trips to Venice. That's ridiculous. I'd like to return sooner rather than later. I look forward to returning to Local, grabbing a seat at the bar, and trying their cicchetti.
First photo and the last two photos: Me and my iPhone. Other photos: Ristorante Local
La Biennale Venice - 2018
My friend Erica invited me to join her on a press trip for the preview of the 16th Architecture Biennale. I haven't been to any of the Biennale. I follow the art, cinema, and architecture ones on social media but it's not the same.
My first (and last) trip to Venice was twelve years ago, late November. Even during off-season, the crowds in the Piazza San Marco area were quite large. The experience did not prepare for last week. More on that later.We were in Venice for only two days/one night. I would love to return to see the Pavilions I missed. Erica has a great write-up on her Instastories.Normally, we'd take a train from Rome but we had to get there in time for the press conference so we placed on a 7:00 am flight. A private boat picked us up. Not a bad way to enter the city. We had a few minutes before the press conference and met the other journalists/architects and their guests. It was a small group, only twelve of us, half were from Milan. Our hosts were wonderful and, my fellow Americans will feel me on this, I couldn't get over how organized everything was. One of the hosts flew from Milan to Rome to meet us on the flight to make sure things were on point.The theme this year is Freespace. The curators are architects Yvonne Farrel and Shelley McNamara of Grafton Architects.
After the press conference we walked over to Local, which was fantastic. It's owned by siblings Benedetta and Luca Fillun and used to be an electrical shop. I spoke more Italian in a day than I have in probably two months.We returned to the Arsenale for a guided tour of the Corderie. From there we were able to see a few pavilions before going to the hotel to check in. My favorite pavilions were the Kosovo, Canada, Italy, Bahrain, Italy, and Croatia Pavilions. I wish I had more time to spend in each one.
Erica and I decided to walk toward Piazza San Marco instead taking the boat. I was NOT READY. Remember, I've never been to Venice during high season. The crowds were on another level. I keep reading about the crowd situation but it's another thing to experience it. 28 million tourists visit Venice a year. Only 55,000 people live in Venice full-time, down from 175,000 post WWII, with around 2000 leaving every single year. AirBnB has pushed the rents sky high, and mass tourism from mega cruise ships turn streets into packed corridors during the day and desolate at night. I don't know what the answer is but this type of tourism is not sustainable.We stayed at the Bauer Palazzo and I was happily surprised to see that we had a terrace. The service was impeccable. It could be because we were with a group of journalists and architects.
As we unpacked and got ready for aperitivi I noticed a chic terrace, a floor higher, on the building next door. I asked the bartender if it was a hotel bar. He said no they were preparing for a private party. I had no idea it was the party we were going to attended. It was a little overwhelming. There was were heavy hitters from the design/architect world and folks were not playing sartorially. The Hugos, and views, were divine.
Post- reception, we had dinner on the patio of the hotel with canal view. During dinner I hear suddenly heard loud gasps. I looked to my left and saw a mega cruise ship rolling into the canal. It dwarfed the buildings. I have no words. Perhaps I'm hyper sensitive to these ships as I've seen what they've done to the quality of life for residents of the island of St. Martin/St. Maarten. I strongly believe the cons outweigh the pros.I woke up at the crack of dawn to jog and it was glorious. The city was quiet, with Venetians going to open their shops and getting ready for the new day. There were a few other tourists out jogging and some taking photos. I got lost in the side streets running toward the Rialto bridge. I didn't mind. It's surreal to be in a city where there are no cars, buses, etc. everything is brought in, and leaves, by boat. I understand why this special city has inspired writers, artists, and artisans for generations. It's a damn shame that it's being destroyed.
Erica and I had a delicious breakfast on the Bauer's rooftop terrace. We were picked up (on time!) and took a our boat to the Giardini (the gardens) to see more pavilions.
We had a guided tour of the Main Pavilion. I highly recommend checking it out. There was a very interesting scale of the NYC Project, one for a Los Angeles project, and several short films. Then we were on our own to see the rest. I have to say, I was fading fast. There was so much to take in. I missed many pavilions that I wanted to see, like Switzerland, and Antique & Barbuda. There wasn't enough time. Of the ones I made it to, America, Nordic (Finland, Norway, Sweden), Russia, France, were stand outs. I loved the roof top deck of Great Britain and France's wine set-up was very clever.
The Russian theme was about train travel and how the largest country in the world is impacted by it. There are areas that are inaccessible by train and the country spans a few timezones, There was a short film, SEVEN DAYS IN SEVEN MINUTES, regarding a man's 9,300km/5780 miles train journey to Siberia. The Pavilion was transformed into a train station with several multimedia exhibits.The Nordic Pavilion dwelt with climate change. Visually this was one of the most interesting pavilions. The large balloons inflated and deflated depending on changing environmental conditions.The American theme was Dimensions of Citizenship, which really resonated with me. There was a fascinating short film, IN PLAIN SIGHT, that used data from global space sensors showing us how humans have organized our planet. It touched on last year's hurricane season and the difference between Houston's recovering and Puerto Rico's. I was blown away by the places that had large population but no lights, and other spots with a large electrical grid but it was used only for tourists or farming.We ended our trip with an delicious outdoor lunch at Corte Sconta. Corte Sconta means, "hidden courtyard". Our meals were included in the trip so I cannot tell you how the prices were. I get the sense that Corte Sconta was the pricier of the two but it wasn't stuffy.It was hot and walking over ten miles in one day got the best of me. By the time I had to meet our group, I was completely exhausted not really physically but it was information overload. It was a lot to process.It's an incredible experience and it was unique to have these conversations in a city like Venice. I was inspired by the architects and designers I met, the Pavilions, and of course the city itself. Grazie mille, Erica.To see more photos and videos from our short trip, I've saved them in my Instastories.The 16th International Architecture Exhibition runs until November 25th, 2018.
Ten Years Ago I Moved to Rome, Italy
The two things people ask me all the time when they've learn how long I've lived here are, if I have any regrets or when am I moving back to America.If this were a sabbatical, I would've moved back by now and more importantly, I wouldn't have gone through the hell that is getting a driver's license in Europe (I hear Germany's is beyond difficult).Regarding regrets, I have none. Even during my worst days in Italy, I never got homesick. Of course I miss my family and friends. I do miss the efficiency of America and I know it would be easier to be a business owner and writer there. Rome's going through a horrible downturn but that makes me want to move out of Rome, not the country.As of today I have lived in Rome longer than any other city (after college). I lived in Los Angeles for ten years and moved there from New York City. If I had moved directly to Rome from NYC maybe things would've felt differently. When I arrived in Rome, I was a very bitter and broken person. Hollywood had worn me down. I was numb, which is not a good trait for anyone who works in a creative field.My first trip to Italy was in 2005. I wasn't an Italophile. I just wanted to travel to a new place, see some art, eat some good food. In junior high school and high school I knew I would live overseas one day. Italy was not on my list. That first trip to Rome surprised me and changed my life in so many ways. It felt like home but I wasn't planning on moving anywhere until retirement. My Hollywood friends were skeptical. They said had I traveled to Iowa, I would've had the same reaction. So I returned the following year after getting a new job. Nope, that first visit wasn't a fluke.
During the fall of 2007 I was working on a movie in Toronto. I was one of the executive producers and was on location for almost three months. I was so happy despite the six day shoot, very long hours, and night shoots (killer). As the wrap date approached, I was speaking with my dad. My parents had moved back to St. Martin, after retirement, a few years earlier. He could hear the anxiety in my voice. My dad asked me why I was going back to Los Angeles. I told him I had wonderful bosses. He thought that was great but why wasn't I moving to Italy now? What was I waiting for? I wasn't living in Los Angeles, just existing. New days are not guaranteed to us.I was shook. My fellow first generation Americans will feel me when I say my parents were NOT go follow your bliss kind of folks. They were grounded, intense Caribbean people. I'm pretty sure my mom blames the fact that I'm not married on my lack of an advanced degree (ha). My parents were very hard on us growing up and had high expectations. So for my dad to say go to Italy, that was earth shattering to me. I mean, what would I do in Italy? It's not as if I had an engineering degree and could go work for a Fortune 500 company.Three years to the month of my first visit, I said good-bye to everything I knew and moved to a foreign country. Looking back, it was a completely bonkers move.
It's been tough at times living here and last year, in particular, was difficult on a micro and macro level. I'm not the only person who was glad to say hello to 2018. 2017 was probably one of the most stressful years of my adult life. I got through it (with help from my family and friends) and this year is shaping up to be much better.It may sound melodramatic to say moving to Italy saved me. Moving here pushed me out of my comfort zone and made me wake up. I'm no longer a spectator in my life. I'm aware of time passing and how little of it we have. When you walk past buildings that are over a thousand years old, it put things in perspective. Moving to Italy forced me to stop running, look at the bigger picture, and figure out exactly why I was working in Hollywood. My post-Jumping the Broom disappointments (not with the movie) turned out to be the best thing that every happened to me. I didn't see it at the time. I wouldn't have interned for an interior designer, started my own company, and worked/be working on incredible design/decorating projects had things gone differently. It's through my work in design that I was able to reconnect with my love of storytelling, my creativity, and my passions.I never stopped screenwriting but kept my scripts to myself. One of my mentors/friends, a senior Hollywood film agent, was in town with his wife over the Christmas holidays. He asked me what I was working on. He has always encouraged me to do both, to write and to decorate. I felt strongly I had to pick a lane. He disagreed. Many creative people are multi-faciated. During a yoga retreat last fall, I realized that I was still trying to follow a linear career path and not being open to all possibilities. I was still holding on to some bitterness regarding my Hollywood career that I truly needed to let go. How could I work smarter, not just harder? Who gets to decide what success looks like? I must continue to focus on the craft of screenwriting (and improving) not the things I have no control over.The first project I sold as a screenwriter was a teen movie to an Italian film company within a few months of moving here. However, the majority of my time was spent in my apartment alone writing/working in English with people back in Los Angeles. I was in a giant expat bubble. Four years ago when I opened my company, I started working in Italy and in Italian. I jumped into the deep end of the pool. I couldn't have a situation where expensive custom furniture and/or draperies were made incorrectly because my upholsterer misunderstood my janky Italian. I had to step it up. My get by Italian was fine for a casual conversation not business.The last time I was in Los Angeles I was there for Hollywood meetings and for a interior design project. I was having dinner with a friend before my flight back to Rome. I said that Los Angeles wasn't so bad and that I was looking forward to my next trip. She wondered if I had fallen and hit my head on the pavement. I was serious. I saw another side to the city running around Los Angeles with my client to different showrooms. L.A. traffic is still atrocious though.I have acquired some patience since moving to Rome, a big improvement. I cook more, eat well (said goodbye to no-carb/all diets), and my cost of living is much lower. I'm healthier, more physically active, and learning new things all the time. I'm fortunate to have incredible friends here who are like family.During my first month in Italy made a comment that I get chills when I see the Pantheon. Someone replied it was only because everything was new to me. I know that's not true. Ten years on I still get chills when I walk past the Pantheon. I don't take that for granted.
The Design Files - The Authentics
The Authentics: A Lush Dive into the Substance of Style by Melanie Acevedo & Dara Caponigro, is gorgeous book that takes us into the beautiful homes of dynamic people who work in a variety of creative fields.
Ms. Acevedo is a well known photographer. Ms. Caponigro was one of the founders of DOMINO magazine and is currently the Creative Director of F. Schumacher & Co., the legendary fabric, wallpaper, and rug company.This is a book I will reference time and time again. Some of the names are famous in the design world, like Kelly Wearstler, Miles Redd, and Nicky Haslam, or celebrities such as actress Peggy Lipton and hair stylist Sally Hershberger. There are landscape architects, jewelry designers, chefs, etc. All have an unique point of view.Some of the rooms or gardens might be a bit "much" but I love that in a homogenized world there are people who surround themselves with things that they enjoy regardless of popularity.
Visually, this coffee table book is a knockout. It has thick quality paper and is beautifully photographed.The interviews with these talented creative people were very inspiring. It's easy, thanks to social media, to see the same images again and again. At first everyone is excited and then the same people start to complain that the image is played or trite. The Authentics create their spaces in a way that speaks to their interests, loves, and passions. That approach will never go out of style. 
Design Inspiration - Palazzo Reale, Naples, Italy
The Royal Palace of Naples is a must on my list of things to do in Naples. I wasn't able to visit until my third trip and now I want to return just so I could spend more time there.The audio tour is interesting and informative. Palazzo Reale is one of four royal palaces in and near Naples. Construction, with prominent architect Domenico Fontana, started in the 17th century by the Spanish Viceroys initially as a home to host the visiting King of Spain. He never came (so rude!) and the palace eventually became the home of various rulers, including the Bourbons and the Savoys. The Kingdom of Naples was fought over by the French and Spain for centuries. At times the Kingdom included most of southern Italy, and Sicily.The Palace was expanded over the years. Napoleon's sister, Caroline, lived in the Palace with her husband Joachim Murat (aka the Dandy King) who was the King from 1808-1815.The building suffered extensive damage from bombing during WWII but was restored.Below is the main staircase. It was very cloudy and overcast when I arrived. I still gasped when I walked in and saw this space. Pictures do not do it justice.
View from the top of the stairs.
This ceiling is unreal.
Close up of another ceiling. Gorgeous.
This floor tho.
How nice to have your own theatre.
And your own chapel.
A less ornate space. Love the simplicity of this light fixture.
Love this ceiling too. I chuckle when I hear the color grey is too trendy so now it needs to be over. I disagree. It's a classic.
The ballroom.
It was starting to clear up as I walked out. There's a view of the sea from several of the rooms but it was hard to get a photo without the scaffolding. The gardens are not public but there is an interior courtyard with a fountain.
Photos: me and my iPhone
Decorating 101 for the Suddenly Single
Breakups are stressful. Moving is stressful. Moving after a breakup? We're talking stress squared.Anika Jackson, VP at Real Beauty Real Women, asked me to write a decorating post with some tips on how to make the transition a bit smoother.To read the rest of the post, click HERE.
The Design Files - Interior Design Master Class
Edited by Carl Dellatore, INTERIOR DESIGN MASTER CLASS: 100 Lessons From America's Finest Designers On The Art of Decoration, is an outstanding book.Although it's geared towards students of design and professionals, this book would appeal to anyone who's curious about interiors.The book is divided into six sections: theory, structure, style, process, elements, and inspiration. Within these sections, A-list interior designers and decorators discuss everything from floor plans, lighting, comfort, color, texture, etc. etc. This insightful peek into their process, inspiration, and interiors is a real treat. The designers range from well-established legends of the industry to the new guard.MASTER CLASS is packed with useful information and it's also gorgeous. I loved it.This book will be a classic. 
The Design Files – Traditional Interiors are Back
Traditional interiors will be big in 2018 according to various interior design articles. I never received the memo that they were "out". I don't think they ever went away, especially in cities like New Orleans, Charleston (SC), and Washington, DC.I don't belive in following trends. It's helpful to know what is going on in the world of design but the client's tastes and the architecture of the home are much more important than what's trending. For example, installing barn doors everywhere. I adore them. However, sometimes a room needs a regular door or a pocket door. Don't get me started on shiplap.Plus, following trends is an easy way to have your home look dated quickly. This will not help the resale value of your home (more relevant in the States where we renovate/redecorate and move often compared to other countries).I'm not surprised that people are falling back in love with traditional interiors. During a time of great uncertainty in the world, it's nice to be surrounded by something comforting and familiar. It's interesting to me that so many people thought/think of traditional interiors as very stuffy, too precious, and too old. In fact, traditional interiors are perfect for families, especially those with small children. Pieces that have been around for generations can take a beating. A little wear and tear adds character. The use of color helps hides stains and so on.Speaking of color, this is one way to make your space current and not like your great-grandmother's. Another suggestion is to mix it up. Place some modern pieces in the room. A room filled with only antiques can feel like a museum.Below are some recently decorated spaces in the traditional style. They're fun and have a lot of personality.This home in San Francisco was decorated by Miles Redd for a young family with four children. Pictures are from Architectural Digest.
Jane Scott Hodges's home in New Orleans is a bold mix of colors and patterns. She worked on her home with friend, interior designer, Gwen Driscoll. Photos are from House Beautiful.
Interior designer Darryl Carter wrote a book called The New Traditional. His spin on this aesthetic is more sculptural. He uses a lot of neutrals but with a variety of textures which gives his spaces movement. Photos are from One Kings Lane.
I Used to Hate on Florence, Italy.
I went to Florence for the first time during my second vacation in Italy. I stayed for a couple of days.My second trip was a few years later during the first month I lived in Italy. I couldn't wait to leave both times. The second trip was over nine years ago and I believed if I never visited again, it was okay with me. Never mind that at some point I would need to return for work. My plan was to get in and get out.I loved the art and thought the city was beautiful, so what was my damage? I couldn't get a read on the city, no sense of place. I had visited during the months of May and April respectively and couldn't walk down the streets. It was that crowded with tourists. Florence felt like a Renaissance amusement park.A friend in Los Angeles was dating a chef in Florence and she suggested I go to his restaurant for lunch. He couldn't have cared less. Our mutual friend, had the same experience. She has spent a lot of time in Italy (from top to bottom) and shrugged at his rudeness saying, "Florence."Earlier this year, I was having drinks with a friend and his dear friend who grew up in Florence. She told me I needed to return to the city. That the energy in the city is completely different from my last trip. My friends who live in Florence said the same thing. I was skeptical.I decided to go on my birthday to see what my Florentine friends were raving about. August is blazing hot and still high season, but I found an excellent same day fare on Italo.This is how I felt after my day in Florence.
No, it's not because Rome is a trainwreck right now (please get it together Mayor Raggi). It's because I completely misread Florence.Man, I used to talk so much smack about Florence. In my defense, I wasn't the only one. A friend from NYC, who comes to Italy every year, emailed me during her first trip to Florence and said she was in the seventh circle of hell. She was there during the height of the high season.Yes, Florence is very popular with tourists and American exchange students. Since my two earlier trips, friends have moved to Florence and their version of the city is not what I experienced back then. How could it be? I was there for four days max. They live there. They know Florence. Their version is the side I was able to see during my trip last month.I had been to all the museums before and I didn't have a crazy itinerary this time. I wanted to see the Boboli Gardens and friends who were in town but otherwise left my schedule open to just walk around.I speak Italian now. When I walked into a store and the salesperson automatically spoke English to me, I responded in Italian. Their mood changed. Except for one dude at a handmade paper shop. I was looking for a birthday gift for a friend. I walked in and gave my best, "buon giorno". He looked at me and then proceeded to ignore me. Hello, even in Rome they will at least give you a salty, "buon giorno", or "salve" in return. I'm sorry that he had to work during Ferragosto while the vast majority of his peers were at the sea or in the mountains. Perhaps he should've closed his store during August?I had lunch at Osteria dell'Enoteca. I didn't know what restaurants would be opened during Ferragosto. Thankfully, Georgette (aka Girl in Florence) had a post for that.Georgette and I finally met in person when she was in Rome earlier this year. I think Florence's tourism board should give her a medal and a lot of money. I always forward her blog to friends, and friends of friends, who are visiting Florence.I find Tuscan cuisine a bit heavy. These ravioli were light and delicious. The waiters were lovely. It was the perfect birthday lunch.
I met Veronica in Rome through friends at my favorite store Chez Dede. She saw my Instagram post about the Boboli Gardens and suggested I stop by their store And Company. I'm thrilled that they were open during Ferragosto. It's my kind of place. I was so busy talking and looking at everything, I didn't take any photos. I did post a few videos on Instastories.Betty Soldi, is one of the owners and a very talented calligrapher. I want all her cards. Her new book dropped this month and I cannot wait to read it.
I met Melinda at Ditta Artigianale for some iced tea and air conditioning. Melinda, an American, used to commute between Paris and Florence. Currently, she lives in Florence full-time. The last time we saw each other was in Rome years ago. We had a lot of catching up to do.The Boboli Gardens were one of the many highlights of the day. It was extremely hot. I wasn't able to take it all in. I must return in fall so I can spend more time exploring.
This was my first time visiting the church San Spirito. No pictures are allowed inside. Trust me when I say it's worth a visit.
Georgette has posted a few cocktails from Irene on Instagram and she said the next time I came to Florence we had to meet there. We did. The cocktails were on point and the food was great too.
I went to the bar super early because I was basically melting in the heat. The bartenders couldn't be more friendly despite the fact that I only ordered water to drink, while watching Instastories, as I waited for Georgette and her friend.Irene is the hotel bar/bistrot for the Hotel Savoy. I loved the vibe with its fantastic interiors and the crowd was a mix of locals and guests of the hotel. It's located right on Piazza della Repubblica in the heart of the Historic Center. The space is named for Rocco Forte's (the owner) mother.
I took the fast train home. Florence is only an hour and a half train ride away.
There are a lot of day trippers, via cruise ships, in Florence. Once the sun goes down the city does empty out a bit. If you can stay longer than a day, I highly recommend it.I definitely felt a different energy during this trip. A buzz, a sense that exciting things are happening on the creative front.I left Florence feeling inspired by all the creative and talented people I met. I cannot wait to return.
Photos: Me and my iPhone unless otherwise noted.
Life in Rome - Mini-break at Le Méridien Visconti Hotel
One of my friends, who owns a boutique travel agency in Italy, told me that finding four star hotels in Rome is difficult. She said there are great options at the five-star high-end level and at the economical end but there are too many four-stars that are really a three- star at best.Enter Le Méridien. The Starwood Group recently added the Visconti Hotel to its portfolio. The hotel officially reopened this June after a twenty million dollar renovation.I had the opportunity to stay at the hotel for two nights. Before my stay I read reviews online because I'm anal. The reviews were very good except for two things, the air conditioning and the WiFi.Given my stay was happening during one of the worst heatwaves in history and I had several work deadlines, I was concerned.They must have fixed these issues as I'm happy to report I had no problems. In fact the A/C was so strong I had to turn it off. My fellow Americans, you know that NEVER happens in Italy.The hotel is located in Prati. It's a few minutes walk from Piazza Cavour and in the other direction (a slightly longer walk), Piazza del Popolo. I think it's a perfect location. You're near the Historic Center but not smack in the middle of it and the prices reflect this. The area is centrally located as Piazza Cavour is a major bus hub. For those who like to walk, you can cross the river and be in the heart of the Historic Center in ten minutes.The roof terrace is fantastic. Sometimes there are annoying loud seagulls who like to wait for people to leave and then dive in for the food. The waiters are on top of it though. Seagulls 0.
Service was great. Granted some of the employees at the hotel have seen me a few times but that wasn't the case with the check-in. I thought they were friendly. There was a small line when I arrived but it moved quickly.Location, price, design, of course all these things matter but when I stay in a hotel there are two things that are extremely important to me. Cleanliness. I cannot stand clutter and dirty bathrooms or kitchens freak me out. I don't want to step into a hotel bathroom and see hair in the drain. Just typing that made me feel queasy. The other thing is the bed. It must be comfortable.My room was spotless and the bed was excellent. The toiletries are Malin & Goetz. I was so geeked out to see them because no retailer in Rome sells these products. I checked the website and there is a store in Milan that carries them. I muust remember this important information for my next trip.
The interior design has mid-century touches that also speak to the hotel's location in the Eternal City. The head designer was Harry Gregory of the firm, ara Design International. They wanted to create something timeless.I adore the pared down use of marble, a material synonymous with Italy and Rome. I think too much marble can make an interior feel cold. At the Le Méridien it's warm and dramatic.The neutrals of grey, black, and white, with splashes of color, are relaxing and chic. The Longitude 12 Bar and Bistrot is a great place for a coffee during the day and for cocktails at night. The Bistrot also has a delicious lunch and dinner menu and starts serving wine around noon.In the Bistrot there's a communal table that has outlets for your laptop and phone adapters.
Downstairs, there was a wide selection for breakfast, including American bacon. I repeat, there was American bacon.
The hotel has an eclectic art collection, from abstract to figurative pieces, created with different materials. These artworks are from the private collection of the Toti family. Their collection focuses on Italian artists from the 1980s. When people think of Rome they often focus on classical art. It's wonderful to see some contemporaries pieces as well.
The gym is small but well-equipped with Technogym equipment. Did you know Technogym was an Italian company? I saw this brand in high-end gyms in New York City and Los Angeles and had no idea until I moved to Italy. Mind blown.I stayed at the hotel in early August but have been stopping by since April. This is not official market research but it seems to me that the hotel is very popular with couples, families, business travelers, and friends traveling together. I didn't see too many solo vacation travelers but I've always felt welcomed thanks to the friendly service.Photos: Me and my iPhone. Disclaimer: I was a guest of the hotel. However, opinions and thoughts are my own.